The story is basically the same for each film (the second's is slightly altered due to the twist, but is nonetheless the same). This time around, the film starts off at a Nascar race, where a series of events unfolds until a lot of people--including the main characters--die. However, one of them, this time a young man named Nick (Bobby Campo), foresees it in a vision and warns everybody to leave ASAP. So the friends, as well as some others that are dragged into the mix, leave right before the accident occurs. These include friends Lori (Shantel VanSanten), Hunt (Nick Zano), and Janet (Haley Webb), as well as a security guard (Mykelti Williamson), a racist (Justin Welborn), a mechanic (Andrew Fiscella), and a mother (Krista Allen). But what they soon realize is that they were never supposed to survive, and Death comes after them in the order they were supposed to die, killing them off in unique and imaginative ways.
I had a few problems with this film that I didn't really have with the others (even the third). In the past films, the clues about how the next person was going to die was reality-based and simple. This time, the main character has full-out (though vague) visions of exactly how the next person is going to die. My problem is that this takes away some of the mystery... not to mention it gives us some pretty campy CGI.
Though the deaths were still creative, and there are plenty of fake-outs (you think it'll be one thing, and it's another). One particularly suspenseful scene is the beauty salon scene. I was cringing the entire time, as it sets up about a dozen different ways she can go. Of course, it goes with the least interesting. On a similar note, practically all the deaths are given away in the trailer, which took away a lot of the suspense (there is one pleasant surprise... one that doesn't actually happen, but I won't give away which one). And the climax is pretty suspenseful, I'll give it that.
However, another issue is that while they were creative, they weren't nearly as creative as some of the previous films. The previous movies sometimes acted more like a Rube Goldberg machine, which is totally interesting. And you see that used in these, but mostly as fake-outs, while the real deaths are a little more lame (not always, but sometimes). Also, a lot of the deaths were mainly caused by the stupidity of workers. At least half, if not more, of the deaths could have been prevented if everybody in that town who had a job was actually competent. Seriously, there should be a lot of people getting fired.
I also saw the film in 3D, and the 3D was definitely utilized. Things flew at you left and right during the death scenes. So if you go to see this in 3D, you won't be disappointed.
The one thing I absolutely loved about the movie, though, were all the allusions and homages to the first film. You can still see 180 all over the place. The main guy has a picture of the Eiffel Tower in his house. The name of the swimming pool place is "Clear Rivers." If you look closely on the TV at one point, I believe it says the name of the racist is "Carter." And just a whole other slew of things that, if you pay attention, you'll see. There's at least one in every scene (or just about).
There really isn't much more to say. There's some decent humor in the movie. There's a particularly funny scene with a talk about suicide (I know not a happy subject, but in context, it's funny). But otherwise, it's just a movie to see if you're a fan of the series. You don't really feel anything for the characters, and the acting is pretty bad. But you came to see the movie for creative deaths, and on that front, the movie delivers. In almost all respects, the movie isn't all that great, but it's still strangely entertaining. Though I totally miss the Tony Todd character from the first two films. He was awesome.
Stop Saying Okay! Okay.