SEVEN POUNDS.

When I saw the trailer for this, I thought it looked really good. However, as I was going into the movie, I still didn’t know what I was going to be seeing. Unfortunately, I still didn’t know what I was seeing until about halfway into the movie. Ben Thomas (Will Smith) is supposedly an IRS Agent going around doing a bunch of really big favors for seven different strangers, and for reasons unbeknownst to the audience. The first we meet is a blind man named Ezra (Woody Harrelson), who Ben is a complete jackass to. But then we come across Emily Posa (Rosario Dawson), a young woman with congenial heart disease. The relationship between Emily and Ben builds until they become more romantically linked. But Ben still has his mysterious mission to complete, even if it’s now become slightly complicated.

Let me start off by saying I thought the film was really good. I enjoyed it quite a bit. However, it tries to be too much of a mystery to the point where you really have no idea what’s happening… ever. Is Ben really the douche he seemed to be within the first ten minutes? Why is he helping these strangers? How are they connected? Or are they? Is he really helping them out, or is it part of something greater? What the hell is his plan, anyway? Everything about it is spoken in such ambiguous terms, it was almost like hearing “You know that plan about that thing we talked about that one time at that place? Well, it’s the next one’s turn now in the process of the thing I’m doing which you know of because of our history together… you know, because we know each other from sometime back in the day.” There were really moments where the movie almost felt like it was going out of its way to stay mysterious. Though the second it shows one of the first flashback glimpses of what occurred, everything snaps together and the movie becomes easier to follow. But this is two-fold, because this moment happens at the middle of the film (or so). So you’ve just gone through the first half of the film shrouded in confusing mystery, but now you’re going through the last half of the film with everything easily figured out.

However, those were really the only issues I had, and they really didn’t bother me all that much. I’ve read other reviews stating things like the movie is very slow moving, or it’s overly sappy or whatever. I didn’t have any of these issues. I felt that maybe the first 10 or 15 minutes or so were a bit confusing, especially in trying to figure out what kind of person Ben Thomas is (douche or saint?), but besides that I didn’t find it slow moving at all. And there’s some romance in there, and there’s a lot of heartfelt moments (no pun intended) that add up, but I didn’t think it was overwhelming at all.

In fact, Will Smith has shown once again that he can carry a movie. He did a very fine acting performance here. You never know what’s going on in his head, but you can always tell how conflicted or sorrowful or happy or whatnot he is just by looking at his face. He really dug himself into the character. The same with Rosario Dawson, too, who really showed that pain of not being able to live her life to the fullest because of her heart condition. But the one person I want to give the shout out to here is Woody Harrelson. He’s not in the movie very much, but he’s always a presence in the back of your mind, and I think that says something about how he pulled off the character. I constantly wanted to see what was going to happen next with his character, and he’s really only in the movie about 3 times, each time less than 5 minutes.

So besides some editing (or possibly writing) issues, I thought the movie was very good. It does tug at the emotions. It makes you happy when you’re supposed to be, sad when you’re supposed to be, and even uncomfortable when you’re supposed to be. I think that says something about the actors and actresses, because it was really all about the acting once you got the story figured out.

I Am McLovin!

EAGLE EYE.

So what we have here is a fairly entertaining action movie with some logic issues. After the death of Jerry Shaw’s (Shia LaBeouf) twin brother, Jerry goes home to find his place covered with military things that point to him being a terrorist. Meanwhile, Rachel Holloman (Michelle Monaghan) is a single mother via divorce whose son is going on a big train ride to Washington D.C. in order to play the trumpet in a junior orchestra. Then suddenly both of them get calls: Jerry to escape from the FBI, and Rachel to do as she’s told unless she wants her son to die by having the train derail. After them both are military officer, Zoe Perez (Rosario Dawson); Defense Secretary Callister (Michael Chiklis); and FBI Agent Thomas Morgan (Billy Bob Thornton). So the rest of the movie is a big chase scene with cool tech-related things getting them through situations while the mysterious woman’s voice commands them to certain places at certain times. And sometimes they aren’t even alone in their journey.

The coolest part about the movie was the action. A lot of stuff reminded me of the really awesome movie The Game, except with more tech-related things happening. There was a great car chase sequence… hell, there was great everything with the action. But one thing that bugged me about it was that there could be so many different horrendous car wrecks, but only one time in the movie (when it was plot-necessary) did it actually affect any character. They would get up and walk or run around with sometimes not even a scratch.

On the subject of illogic happenings, one of the biggest issues I had with the movie was one that the whole plot rested on: the train trip of Rachel’s son. Seriously, what kind of train ride lasts almost two freakin days? And not to mention in that time span, they only slept once and didn’t have a total body failure from all the running around? I suppose, though, adrenaline could be part of the latter.

On the acting side of things, I think everybody did really well. Shia and Billy Bob were the best. It was so refreshing to see Billy Bob in something that wasn’t a dark comedy lately. And just imagining Shia going from Even Stevens to this is an amazing thought in and of itself, so I commend him there.

The story was a bit out there, though, but I don’t want to go into the story too much, as it could spoil quite a bit. There’s a nice twist halfway through that for whatever reason I didn’t expect. Maybe at one point, but I didn’t follow the trail of that thought. I did like the fact that they made the movie show the bad sides of the government instead of having some underlying theme of patriotism like any other movie dealing with terrorism would. Maybe that’s why a lot of those stuffy, old, conservative critics didn’t care for the movie, eh?

Honestly, to me, the movie was a fun time. Things about the story could have been tweaked a bit to fit better, but otherwise it was a really fun action movie. I could give two movies that I could say “Combine these and you’d have this movie,” but then that’d give it away. Let’s just say one of them is The Game… but I can’t tell you the other until you’ve seen it. And I do recommend it if you don’t mind going out for some action-packed fun and aren’t easily annoyed by logical issues. So yeah… good times.

A Keanu 'Whoa'

Bizarre Noir #4: Sin City.

Welcome to the fourth of seven posts that will review bizarre noir movies! I hope you enjoy the series. For more information or previous entries, check the posts below this one.

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Sin City.

Year of Origin: 2005.

Director: Robert Rodriguez, Frank Miller, and Quentin Tarantino (for one scene).

Why it's bizarre: The comic book look and multiple stories.

Sin City is more of an art form than a movie. With a huge cast, Sin City explodes with star power in three (and a half) different stories. The first snip starts with The Man (Josh Hartnett), an assassin-for-hire. After the short scene, it continues on to Hartigan (Bruce Willis), a cop that is trying to save young Nancy from Roark Jr. (Nick Stahl). Then we have the criminal Marv (Mickey Rourke). After Goldie (Jaime King) is murdered by silent assassin Kevin (Elijah Wood), Marv travels around town trying to figure out who killed Goldie and why. Then we have Dwight (Clive Owen), a criminal with a new face, who sets out to get revenge on lady friend Shellie’s (Brittney Murphy) ex-boyfriend, Jackie Boy (Benicio Del Toro). But he ends up in a tougher situation than originally planned. Then it goes back to Hartigan again, after getting out of jail. He goes to find grown Nancy (Jessica Alba), the only person who had kept him sane and alive through his years in prison. But, unfortunately, a Yellow Bastard (Nick Stahl) has his own secret agenda. And there’s a whole bunch of other people in the movie, too.

As far as noirs go, this movie has it all. It has the shadowy and unique camera shots (in more ways than one). It has the voice-over narration. It has all the mystery and murder and sexuality you could expect. The star-power really shines, as the movie is really well acted for what it is.

The most obvious comment for the movie is its visual style. It is very comic book, and very original for a movie (only to be redone for the later 300, though to a slightly lesser degree). It was stunning to watch the first time, and it’s still fun to watch now. There really isn’t much more to say about it than that.

The only downfall to the movie is that it’s choppy and incoherent. What I mean to say is that, with the exception of Josh Hartnett’s character and story, none of the stories intersect in any meaningful way. And I understand that each segment was based on a different comic, but they could have connected them all together somehow. They even had a good opportunity to change it all up a little bit, assuming that’s not how it was in the comics (I haven’t read them). But Marv’s story and Dwight’s story could have easily been connected plot-wise due to the prostitutes. And Hartigan’s story and Dwight’s story could have easily been connected plot-wise due to the Roarks. But they weren’t… so, really, it was kinda like the ‘Series of Unfortunate Events’ movie, where each segment was almost unrelated to the one before it, making it feel slightly disjointed.

But I did love how Josh Hartnett’s character came back into play at the very end. I thought that was brilliant and made up for some of the lack of connection otherwise. So overall, I though it was brilliant in what it attempted (and succeeded) to do. It has its flaws, sure, and it’s one of those movies you have to be in the right mood to watch… but when you’re in that mood, it’s a good one.

A Keanu 'Whoa'