11.21.2011
Musical Monday: Dr. Horrible's Sing-Along Blog - Brand New Day (#6).
There's very little to talk about here. It's my favorite song in the movie. It's awesome. Dr. Horrible finally snaps, realizing how he can get everything he's always wanted in one plan. So... yeah. Just check it out.
9.26.2011
Musical Monday: Dr. Horrible's Sing-Along Blog - Laundry Day (My Freeze Ray) (#14).
I can assure you this isn't the only song from this short film on this list. But I included this one because it's a good introduction to the character and his main struggle. He wants to be a villain and rule the world, but he's also a human with needs and is in love with a woman who doesn't notice him and who he has trouble even talking to. Not to mention it's a catchy song with some clevery writing and good cinematography to go along with it.
4.10.2010
Desert Island DVDs.
First, I wanna mention a few I'd love to take but won't:
- Napoleon Dynamite (because I can already quote the whole movie... who needs to watch it?)
- Little Shop of Horrors (The musical version. Assuming I'd be surrounded by trees and other foliage, I'd get paranoid that a giant fly-trap will try to eat me in the middle of the night)
- Almost any zombie movie sans one (because I'd get paranoid that zombies will try to eat me in the middle of the night)
So... here we go with the actual list (in no particular order):
This is that "sans one" I was talking about there. This is pretty much one of my favorite movies of all time, so it would have to go with me. I like to watch this movie when I'm sick or really down, because it always cheers me up.
So that if I'm ever found, they'll find me a crazy, deranged individual who can only say one line for the rest of his life: "Hello. My name is Inigo Montoya. You killed my father. Prepare to die." Because, honestly, if you could only say one phrase for the rest of your life, that would be the coolest one.
Because who doesn't want bloodshed, revenge, and incest while stranded stranded alone on an island? Plus, it shows you how to eat raw octopus... you know... in case you ever catch an octopus and are too lazy to cook it (or can't make a fire).
Probably the best movie nobody has seen. You can only get it online, and it's incredibly low budget. But it's probably the best portrayal of pencil/paper gamers I've ever seen. It's hilarious for anyone, not just gamers. And along with the comedy, it has heart. If only these guys would write for Hollywood.
One of my favorite heist films, and I love me some heist films. Maybe it'll inspire me to figure out how to do the perfect crime. That way, when I'm rescued, I can go rob a bank and get away with it... though telling them to give me the money while I can only say "Hello. My name is Inigo Montoya. You killed my father. Prepare to die."... will be a bit difficult.
Another one of my favorite comedies, this is a Mel Brooks classic. There are quotes galore. And hey, I might actually have a reason to use the line "Comb the desert!"
Any time I get a bad case of writer's block or I just need some good ol' inspiration, I watch this movie. It has never failed to get the cogs turning. And when I'm alone on a island, Lord knows I'll need some inspiration and a good imagination to keep both sane and alive. So this one is a must.
I needed a musical on this list, and I'm just as surprised as you are that it wasn't "Repo! The Genetic Opera." So why Dr. Horrible? A few reasons. First, it's a short watch, for those times I wanna watch something but don't feel like watching something for 2 hours (like I'll be otherwise busy, but whatever). Second, it matches up with my plan to come back to the real world as an insane, bank-robbing supervillain. But this one will help me keep my priorities straight so I don't lose sight of what's really important. Next, the music is just awesome. And finally? Who wouldn't want to be stranded on a desert island with Neil Patrick Harris?
Honorable Mentions:
-Repo! The Genetic Opera
-In Bruges
-Kiss Kiss Bang Bang
(Seriously... there was a whole 'criminal' theme going on there, and that so wasn't intentional.)
12.28.2009
R2D2's Ultimate Top 10 Countdown Of The 2000s #7 - Musicals.
I grew up with a musical family, and, as such, with musicals. However, while, say, my mother is more into the classic musicals such as The Sound of Music, I like more quirky musicals, musicals with interesting concepts and catchy songs. And now that I've seen Nine, I can officially release this list. So, that being said, let's get on with it.
Not a musical in the classic sense, this is more of a movie--a fairy tale--about music. With a couple exceptions, most of the music doesn't even have words. But it's a great story/modern fairy tale surrounding the magic of music. But as it isn't a musical in the classic sense of the word, I placed it in the #10 spot.
Yeah, a mixture of purposefully clever placement and coincidence, my #9 spot goes to none other than Nine. It's a movie about movie making and thus has some clever cinematography. The movie is lax in the plot department, and it suffers because of it, but it has some decent musical numbers, especially Fergie's number, "Be Italian."
Tim Burton's adaptation of the blood-thirsty barber out for revenge. Sure, the singing is decent at best, and only about half the songs are overtly catchy, but it's still a fun movie. And who doesn't love the delectably humorous song "A Little Priest"?
Rob Marshall, whose other big musical has already been on this list, gave us this Oscar-winning film about murder and the attempt at getting away with it. Beautiful and scantily clad women dance around singing numerous catchy songs, the best of which include "The Cell Block Tango," "And All That Jazz," and the surprisingly good performance by John C. Reilly, "Mr. Cellophane."
There are really only 3-4 main songs in this movie, the two biggest being "Happy Working Song" and "That's How You Know." After a while, the singing dies down to correlate with Giselle adapting to the real world. So it's mostly a pseudo-musical, but that's enough musical to make my list. The movie was a lot better than I expected, too, with its homage to previous Disney films and their cliches. Self-deprecating humor while still respecting the source material. It's like Shaun of the Dead, but without the zombies.
Based on Homer's "The Odyssey," this film by the Coen Brothers is also not your typical musical. But there is enough singing interspersed throughout that I would label it as such. Between the song of the Lotus Eaters (baptism folks), the song of the Sirens, and all the Soggy Bottom Boys stuff, it's a fun little musical. Granted, it's really not the musical aspect of the film that makes me love it, but the modern adaptation of a classic story. Oh, and it's funny ("Damn! We're in a tight spot!"). But ever time I watch it, I can't help but get "Don't leave nobody but the baby" (the Siren Song) stuck in my head... catchy tune.
If you've never heard of it, the original Reefer Madness came about in the 30s (then titled "Tell Your Children") to warn people that weed will cause you to play the piano at excess and want to have giant orgies. It spawned an off-broadway musical adaptation which was then adapted into a film... and it's freakin' hilarious. It takes a couple prim-and-proper, overly naive 50s-esque teens and introduces them to marijuana, resulting in a funny chain of events that involves selfishness, forgetfulness, sex, and murder. And the cast is great, too. It involves Kristen Bell, Christian Campbell, Neve Campbell, Alan Cumming, Ana Gasteyer, Steven Weber, and John Kassir (AKA the voice of the Crypt-Keeper, actually reprising his stage performance for the movie). It's hard to pinpoint my favorite songs, but they'd have to include "Jimmy Takes a Hit," "Little Mary Sunshine," and "Murder."
I wasn't sure whether or not to include this on the list, considering it was more of a web-based, 3-episode long movie/mini-series. But it's just so good I couldn't not include it (double negative and all). Directed by Joss Whedon, the story follows a wannabe supervillain named Dr. Horrible played by Neil Patrick Harris. He's in love with a woman from his laundromat named Penny (Felicia Day), but she starts seeing his arch-nemesis, the self-absorbed Captain Hammer (Nathan Fillion). It also has an ending that, well... that I can't spoil. If I absolutely had to pick a favorite song (which is near impossible at this point), I'd have to say "Brand New Day." But I haven't even mentioned the greatest part of all this. If you purchase the DVD, there are a couple different commentaries for the movie, one of which is a musical in and of itself. Yes, they made a musical commentary. Now that is brilliance right there.
Brought to us by the guy who did Saw 2, 3, and 4, Repo! The Genetic Opera is a gory rock opera about a future where there is an epidemic of organ failure, and a company is set up to loan you organs. But if you can't pay up, they send out Repo Men to come kill you and take the organs back. And yes, if you've seen the recent trailer for the film Repo Men with Liev Schreiber, Jude Law, and Forest Whitaker, it's a complete and total rip-off of this musical... but without the music, and more action-based. It has a totally interesting cast, and its biggest shock is that Paris Hilton is actually good in it (because she's basically playing herself). Practically the entire movie is sung (it is an opera, after all), but the sung dialogue is just like an interlude in between the big musical numbers... the best of which include "Legal Assassin," "At the Opera Tonight," "Chase the Morning," and, the best song in the movie, "Zydrate Anatomy." It's full of fun acting, cartoonish humor, great songs, intense moments, and a great (operatic) story.
Interesting that my number one on the list has the most creative songs, yet they're (mostly) songs that have already been written... and not for musical purposes. It's a fantastical (and visually stunning) film about love and the bohemian lifestyle. It takes big, popular songs of the past and uses them in a musical setting. Some of the most creative uses are the medleys, like the "Elephant Love Medley" and "Zidler's Rap." But my personal favorite, in correlation with the drama of the scene, is "El Tango de Roxanne." It's a beautiful, powerful, and chilling scene that always gives me goosebumps. So, great acting + great visuals + great music + great story = great movie, and my #1 musical choice of the decade.
End Note: This list would be much different had it been a list of "Top 10 Songs from Musicals of the 2000s." In that case, "Falling Slowly," the main song from Once, would have topped the list... because while I think the song is incredibly beautiful, I didn't care all that much for the movie itself. Hence, why the movie didn't make the list, so go ahead and shoot me now.
2.27.2009
Five Great Things About Joss Whedon.

1. Nathan Fillion. Joss popularized the guy, even though Nathan had been around for nearly 10 years before Joss got a hold of him. First giving him a leading role in Firefly (and the later spin-off film Serenity), then a villainous role in Buffy the Vampire Slayer, and then yet another villainous (though superhero) role in the most recent Dr. Horrible's Sing-A-Long Blog, Joss has made the guy into the Bruce Campbell for this generation. Granted, this generation still worships Bruce Campbell, too, but they're like two peas in a pod. They really should work on something together...
2. Repo! The Genetic Opera. I know, you're saying to yourself "But Joss didn't have anything to do with that movie." And you're right. However, Joss' brilliant work with "Once More With Feeling," the musical episode of Buffy, brought notice to Anthony Head's amazing singing ability. And it was actually because of this episode that director Darren Lynn Bousman requested Anthony Head for the role, and the very episode that got the producers to agree with it instead of going with a more big-name star. And I have to say, with anybody else besides Anthony Head in that role, the movie would have been, as the Spaniards would say, el terrible.
3. Neil Patrick Harris as a triple-threat. We all know Neil Patrick Harris. But it wasn't until Dr. Horrible's Sing-A-Long Blog that we realized Neil Patrick Harris could do amazing acting, show brilliant comedic timing, and sing magnificintly... sometimes all at once. For me, he went from "Doogie Howser" to "The best part of Harold and Kumar" to "Doogie Howser is gay?" to "the guy from How I Met Your Mother" to "Holy crap, it's Neil Patrick Harris. I wanna see more of him." But I didn't reach that last point until Joss Whedon got a hold of him.
4. Titan A.E./Toy Story. Does anybody else remember Titan A.E.? Personally, I think it's vastly underrated to the point where nobody ever talks about it. It has some great voice acting from the likes of Matt Damon, Bill Pullman, John Leguizamo, Nathan Lane, Janeane Garofalo, Drew Barrymore, and Ron Pearlman. It also has a fun, imaginative, and interesting story. And the story, along with its witty dialogue, was brought to us by none other than one of its screenwriters, Joss Whedon. Similarly, and I didn't realize this until not too long ago, Joss Whedon was one of the four screenwriters of Toy Story. He was up for the Oscar and everything. A man of many talents, huh? For the record, I included both of these together as more of a 'hidden writing credit' category.
5. Feminism in television/movies. Joss Whedon, in almost everything he does (especially if he's more personally involved), has strong female leads--oftentimes literally, physically strong. But where most filmmakers wouldn't risk it for whatever reason, Joss always shakes his finger at the male-dominated industry and does things his own way. Then again, maybe that's why he can't keep a project going very long (Hell, even his attempted adaptation of the popular Wonder Woman fell through, as no producers could agree with his vision... or he just couldn't get around to writing it. One of the two). But one thing is always certain where Joss Whedon is involved: females will never be mere damsels in distress.
12.22.2008
DVD Review: Dr. Horrible's Sing-Along Blog.

So I saw this when it came out for free on the internet a while back, but the DVD was just released (exclusively through Amazon), and I just got in my copy, and I’ve been watching it all afternoon. For those of you who don’t know, Dr. Horrible’s Sing-Along Blog is Joss Whedon’s (of Buffy, Angel, and Firefly/Serenity fame) newest venture into the cult fan base. It stars Neil Patrick Harris as Dr. Horrible, an up-and-coming super-villain who just wants to make it into the Evil League of Evil. He posts up blogs on the internet that portray his life of crime, his crush on fellow Laundromat companion, Penny (Felicia Day), and how the overly cheesy Captain Hammer (Nathan Fillion) continues to ruin his life. Oh, and it’s a musical.
The ‘movie’ itself is only about 40 minutes long, but it feels like a full-blown film in how it really just pulls you in with its characters and story. You root for Dr. Horrible, even though he’s evil, and you loathe Captain Hammer, even though he’s technically the superhero. It just shows, yet again, the amazing writing of Joss Whedon.
And the music itself is incredibly catchy and all really good. My personal favorite is “Brand New Day,” but everybody has their own. And boy can they all sing, including Neil Patrick Harris. He has an amazing voice. Felicia Day does, as well. Nathan Fillion is the weakest, but that doesn’t matter, because it’s Nathan Fillion. He’s awesome in everything. Not to mention the cheesiness factor of his character offsets any care about his singing ability (it’s not bad, mind you. It’s just no Neil Patrick Harris).
But why buy the DVD when you can watch it online for free, you ask (and legally)? Well, for one, most of the online copies you can find are poor quality and the audio is off from the video. Oh, and you have to watch all three Acts separately (unless you somehow download them and merge them together with an editing program). But then there’s all the special bonus features on the DVD that are so worth it. Besides the behind-the-scenes featurettes, which are always fun, you have (fan) audition videos for the Evil League of Evil, wherein all but about 2 of them (and there’s 30 minutes worth) are musicals themselves.
And then there are TWO commentaries. And you might be asking… two commentaries for a 40 minute movie? What’s the point? Well, one of the commentaries is a musical! Yes, you heard me right. They recorded a whole other slew of songs that span the entire movie—commentary style. There’s a couple that could have used some work, honestly, but then there are some really good ones that rival even some of the songs in the movie. The topics range from the writer’s strike to how the cast feels about each other to why certain actors took certain roles and how they felt about that. And it’s really a whole new experience from the movie itself. In fact, you can watch the 40 minute movie, and then turn on the musical commentary and watch it over again, and then you’ll have a full-length feature… sort of.
But anyway, I really recommend this DVD, especially if you’re a fan of one of the following: superheroes, super-villains, musicals, Neil Patrick Harris, Nathan Fillion, Joss Whedon, blogging, horses, freeze rays, laundry, or frozen yogurt. So yeah… go get it. It’s only available through Amazon, though. But it’s worth it.
Royale With Cheese