Showing posts with label helen mirren. Show all posts
Showing posts with label helen mirren. Show all posts

1.23.2009

INKHEART.

It’s sad that, even if you’ve never read the book the movie is based on, you can still tell when something has been changed, cut, or added. But more on that later. Mo (Brendan Fraser) has a unique ability: if he reads aloud, he can bring things out of the stories he’s reading. But there’s a rule to go with it: if at least one person comes out of the book, somebody has to go in. Unfortunately, he didn’t exactly know he had the power. Years ago, he read from a book entitled Inkheart, where he accidentally brings out some awful baddies, all led by the evil Capricorn (Andy Serkis), as well as the selfish (but good) fire-twirler, Dustfinger (Paul Bettany). But since people came out, somebody had to go in. And it just so happens to be his wife, Resa (Sienna Guillory). So now, years later, we catch up with Mo and his teenage daughter Meggie (Eliza Bennett), who travel through Europe searching old bookstores. Meggie has no idea her father’s abilities until Dustfinger shows back up in their lives, with Capricorn close behind. So now, along with help from Meggie’s great aunt Elinor (Helen Mirren); Farid (Rafi Gavron), one of Arabian Nights’ forty thieves; and Inkheart’s author, Fenoglio (Jim Broadbent), they have to figure out a way to keep from Capricorn’s clutches while bringing back Resa and getting Dustfinger what he wants most: to get back in the book.


Wow, that was complicated. But that about sums up the plot with most of the major characters. The plot really is somewhat straightforward, and it does jump from place to place (read: plot point to plot point) with no real shown travel in between (unless it serves as a plot point). And with the size of the book that I’ve seen in the stores, I know there has to be more to it than what this movie showed.


And I figure what was cut had to be all the character development. Now, the highlight of the film was the wonderful cast of characters. Ironically, this almost excludes Mo and Meggie, who are honestly the least interesting of the bunch. But the best was Dustfinger. Paul Bettany really owns this movie, and it probably helps that he’s really the only character with a satisfying character arch or development whatsoever. Helen Mirren also has an excellent character (and from what I’ve read, is one of the more faithful-to-the-book characters). The most disappointing thing with the characters was the relationship between Dustfinger and Farid. You can tell there was something there, trying to build itself like it would have room for in the book, but it ultimately falls flat. Also, how the heck does Farid teach himself how to do the Dragon’s Breath thing? I felt that was the most bizarre part that needed much more explanation.


And then we get to the ending. I won’t spoil anything, as I can give enough information without giving anything away. The climax ultimately tries to be much more epic than it really is. There’s all this chaos and fighting, but it doesn’t seem to show almost any of it, focusing more on the characters watching and reacting to what’s going on than actually showing what’s going on. And there should have been much more of a fight between Mo and Capricorn. I mean, after the history between the two characters, you’d think they’d do more than that. Then the actual ending of the movie comes in. And this is more where I was going with my opening statement. Normally, if Hollywood forces an ending change to something, they try to make it at least dovetail with what’s already been given so you can’t tell. Not this movie. Even without reading the book, I can give the exact moment where the book ending stops and the movie ending begins. It’s just too jarring. The two specific characters start walking off together, and then here Mo comes, running down the road… making most of what we just saw in the previous scene pointless. Not to mention they threw in mention of a possible romance that comes out of nowhere. There weren’t even hints or looks or exchanged words or anything throughout the entire movie, and then there’s a line like “I know you like her.” And I’m all… “Huh?”


But anyway, I know the bulk of this review has focused on some negative aspects, but you have no idea how weird I feel writing this review. I really don’t know what to talk about. I did actually really enjoy the movie, specifically Paul Bettany and Jim Broadbent (as a writer, I thought it was fun and hilarious to see his reactions to his characters being alive, which is something a lot of writers daydream about). The characters, for the most part, were really fun (even if there’s little-to-no development). And the concept itself was great. I still want to read the book, and the movie makes me want to read it even more so I can see all the development and whatnot that was removed. So overall, it was a fun movie… but not much more than that.


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I Am McLovin!

3.11.2008

Overrated Movies: Gosford Park.

Warning: Minor Alluded Spoiler (as to who dies, not to who kills).

I had thought about doing a Top 10 for Overrated Movies, but felt it might be better to just do a recurring article and do one at a time. So that brings us to this movie: Gosford Park. I had the (dis)pleasure of watching this movie for the first time last night (I DVR’d it off IFC). Gosford Park is about…um… absolutely nothing up until somebody gets killed about an hour and a half into the movie. Okay, honestly, it’s about a bunch of rich English aristocrats (and Ryan Phillippe) and their servants who all get together at this mansion to go shooting/hunting. When one of them dies, it turns into a (relatively boring and slightly predictable) who-dun-it.

So this movie has a massive cast full of top-notch actors: Maggie Smith, Michael Gambon, Stephen Fry, Geraldine Somerville, Emily Watson, Clive Owen, Helen Mirren, Derek Jacobi, Ryan Phillippe, and a whole bunch of others. As I’ve joked, Ryan Phillippe seems to be the most out of place (and he’s not even the only American in the movie. Bob Balaban plays an American movie producer/director, and even he seems like he could be there. Ryan Phillippe’s character just seems to be like a random red herring that normally wouldn’t be there otherwise).

Anyway… so the movie starts off with this young woman (I didn’t really bother to learn anybody’s names, because not only did they change once they got to the mansion, but there were too many people to bother remembering), going out into the rain to help Maggie Smith’s character open a thermos. Yeah. I’m not kidding. So then they get to the mansion and everybody meets up, they talk in quiet voices about stuff you can’t understand and move on to the next person before you can get a grasp on what was being said. Then they cook dinner and then eat it. And the process cycles for the next hour and a half. And then Dumbledore dies TWICE. Then what has to be the most incompetent detective (Stephen Fry) shows up (though he was one of my favorite parts of the movie, albeit insanely out of place).

The movie was incredibly obvious as to whom at least one of the killers was. The other was what I like to call a ‘pull-out-your-ass’ ending. These types of twist endings are those that leave absolutely no clues for the reader or watcher to pick up on to figure it out, and then pull this random ending out their ass so they can point and laugh at you because they pulled a fast one on you, when in reality, there is no respect for that type of ending. For shame, Robert Altman… for shame.

So yeah… incredibly boring and pointless first half (save for a few key scenes in dropping ‘killer’ hints) that you can’t even understand. Then a really random second half that is only made up for by the funny and random Stephen Fry. I know this movie was supposed to be this social commentary thing, but I didn’t even care for it as that, and I like movies with social commentary. I can’t believe this movie won Best Original Screenplay over Memento (or, hell, even Amélie or The Royal Tenenbaums… neither of which I’ve seen, but I’m sure both are much better movies). I can’t believe I’m about to use the following rating… as even Stephen Fry’s short character appearance couldn’t make me watch this again.

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She's Gone From Suck to Blow!

(P.S. I think it’s funny how at least half the cast has either been in, is related to somebody who has been in, or is somehow linked to Harry Potter. Gotta love British ensemble casts).