Showing posts with label leigh whannell. Show all posts
Showing posts with label leigh whannell. Show all posts

4.09.2011

INSIDIOUS.

The movie may have had one of the strangest and nonsensical ad campaigns ever (Insidious is Insidious?), but it was thankfully the word of mouth that pulled me in. Written and directed by the guys who brought us the first Saw film and produced by the guy who brought us Paranormal Activity, Insidious tells us the story of the Lambert family. Josh (Patrick Wilson) and Renai (Rose Byrne) have just moved into a new home with their children. But after Dalton (Ty Simpkins) falls into something reminiscent of a coma, very bizarre things start happening. Slowly but sure, along with the help of Josh's mother, Lorraine (Barbara Hershey), and a paranormal team including Elise (Lin Shaye), Specs (Leigh Whannell), and Tucker (Angus Sampson), they find out what's going on and exactly what they need to do to fix it.

Despite an awfully slow beginning, the movie delivers its fair share of scares. I mean, this is one freaky little movie. Sure, there's some jump scares, but there's also that fear embedded in you like "what if there's something watching me in that dark corner of the room while I'm in bed?" And these aren't just night scares. Oh no. It's in the daytime, too. Don't take that PG-13 rating for granted. This is no teeny-bopper horror. This is a well-made scary movie. It even manages to use "Tiptoe Through The Tulips" in not one, but two creepy scenes.

I think the story is the coolest part, though. It's pretty original, or at least not done incredibly often. It follows a haunted house formula, but--as the trailers spoil--it's not a haunted house, but a haunted person (I hate that the trailer gave that away. That would have been a great mid-movie twist). Fortunately, the trailer didn't give away the why. I won't spoil it either, but the reasoning behind what's going on is quite original, at least to me, and I really liked the ideas this movie brought to the table. Also showing some originality, there's a fun part that turns cliches on their head. You know how there's that scene in every haunted house movie where someone begs to move and get away and never come back, but they just end up staying and riding it out? This movie plays with that cliche and almost laughs in its face.

The acting is decent. The movie gets really fun acting-wise about halfway through once Barbara Hershey, Lin Shaye, Leigh Whannell, and Angus Sampson join the show. Whannell and Sampson give us our comic relief of the film, and they do a pretty good job at it. Shaye basically plays the Zelda Rubinstein character, but she does it very well. And yes, there are some Poltergeist parallels by the time we reach the third act. Sadly, in comparison to these later characters/actors, Patrick Wilson and Rose Byrne mainly come off as dull. Byrne is the scared, crying wife/mother and Wilson is the aloof, sometimes macho husband/father. There are two other kids, but besides the baby that never stops crying, there's nothing really of note to mention of them. In fact, they're pretty much nonexistent in the second half of the film.

If you like ghost/haunting stories, definitely check this one out. It's scary/freaky and well made. Director James Wan makes some interesting and fun camera choices, and there are a lot of lighting tricks he uses to keep us on our toes, waiting and holding our breath that something doesn't pop out of nowhere. Also, because he's James Wan, you know he's gonna attempt some kind of twist, but you can see it coming a mile away. Honestly, don't go into this movie for any kind of twist. Go to it because the story is pretty original and it's pretty dang scary (mixed in with a few laughs).


A Keanu 'Whoa'

(P.S. Try not to sit near any annoying women who have to commentate on every little thing throughout the entire movie like "This is the part where they dim the lights and the previews start... see?," "Oh, that's a really nice house," "Oh, that's a nice couch... I want that couch (which is being sat on by dead people during a scary scene)," "Oh! They just said that the boy gets up and walks around at night, but remember... he's in a coma!" Etc.)

10.20.2008

Five Days Of Saw: Saw.

It was a movie that started a franchise; a film that I felt was so freakin predictable that I was blown out of my seat by it’s stunning ending. Dr. Lawrence Gordon (Cary Elwes) and Adam (Leigh Whannell) wake up in a grungy, filthy bathroom, chained by their ankles on opposite ends, and with a body in the middle of the room in a puddle of blood and a gun in his hand. They discover that they’re in a game set up by Jigsaw, a man who sets ungrateful people up in fatal traps/situations in order to get them to further appreciate life to its fullest. Along for the ride are the paranoid Detective Tapp (Danny Glover), the hospital orderly Zep (Michael Emerson), Detective Kerry (Dina Meyer), Detective Sing (Ken Leung), and a list of other victims, including survivor Amanda (Shawnee Smith). But the current situation shows Dr. Gordon and Adam that they have until a certain time to follow the rules set up, and the rules are thus: Dr. Gordon’s wife and daughter are being held captive, and if he wants to be set free and see them again, he must find a way to kill Adam before time runs out. And how can he get free if he needs to? Well, there’s a pair of hacksaws that can be used to cut off your foot and set you free…


When I first saw this movie, I thought I had it figured out before I even reached the halfway point. I thought it was going to end like every other Hollywood horror movie, wherein the twist at the end was overly simple to figure out, the good guys would get free, and everything would end just fine. Boy was I wrong. Not only did nothing end happily ever after, but the twist ending quickly joined what I feel is the top five twist endings of all time.


The movie is in no way, shape, or form torture porn, as most ignorantly label it. Hell, it’s only moderately gorier than your weekly episodes of CSI. The traps in this movie are pretty tame, especially in comparison to the later movies. And it isn’t killing for the sake of killing. Jigsaw is actually a pretty well thought-out character (again, especially as shown in the later films), and he only sets traps up for people who are wasting away their lives in order to teach them appreciation and self-respect. This movie is intelligent horror, not brainless blood and death.

The acting is usually the wobbly ground for most people. Either Cary Elwes or Leigh Whannell are the big complaints, but I personally didn’t see any major issues with either of them. And for two guys with thick foreign accents (British and Australian, respectively), they both held American accents nicely (though if you pay close attention to the opening scenes, you can hear Leigh break accent once or twice). I also think Michael Emerson can play a really intense character no matter what he’s doing (see: LOST).


And then there’s the cinematography and music. The way the camera is used in these films, along with editing techniques, is like an art form (well… it is… but you know what I mean). From the intensity of the Reverse Bear Trap scene with Amanda to the now patented “Seizure flashback” that occurs at the end of each film, the camera/editing is done masterfully. Coincidentally, as I write this, the main Saw theme started playing on my playlist, just in time for me to bring up the music! The main theme is now classic, to me. It’s even being used in other film trailers (much like another modern classic theme from another movie, Requiem for a Dream). I really adore this theme song, from it’s slow build to it’s huge crescendo, increasing and increasing further until the massive shocking end, then BAM, it ends, just like the film. Thank you Charlie Clouser for creating such a hauntingly amazing theme.


So overall, this is one of my favorite horror/suspense films. It has a great story, great cinematography, great editing, great music, and a great ending. There’s really not much else I can say about this first film. I really recommend it.


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Royale With Cheese


The following segment involves spoilers:


Questions Raised Thus Far:

- What's with all the pig stuff?

- Who the heck was the guy in the drill-to-the-neck trap and what did he do?

- Does Jigsaw just let Amanda go live her life now that she survived?

- What the heck ever happened to Dr. Gordon's wife and daughter?

- What the heck ever happened to Dr. Gordon?

- Does Adam just die of starvation, dehydration, and/or blood loss?