Showing posts with label pineapple express. Show all posts
Showing posts with label pineapple express. Show all posts

8.08.2008

PINEAPPLE EXPRESS.

I wanted to like this movie a lot… and I did… mostly. Dale Denton (Seth Rogen) is a pot-head with a girlfriend still in high school and a job that makes everybody hate him (handing out subpoenas). But after he gets a little high off a new, rare brand of weed, Pineapple Express, with his drug dealer Saul (James Franco), he goes to serve Ted Jones (Gary Cole). But when he gets there, he witnesses Ted and a female cop murder somebody. Dale gets rid of his doobie and gets the heck out of there, but all is already lost. Ted is the ultimate supplier of Pineapple Express, and had only given it out to one man, Red (Danny McBride), who gave it to Saul. So now Ted is forced to send out a couple hitmen (Kevin Corrigan and Craig Robinson) to finish them off, thinking Dale was hired to kill him by the same men who had sent the man Ted killed in front of him. Make sense? Good.

The plot of the movie is actually pretty good in its own bizarre kind of way. The biggest problem with this action-comedy, though, was the comedy. The first 30 minutes or so was very slow and the jokes just didn’t seem to work for me. They were the same, old, boring stoner jokes that would probably only make pot-heads (or at least people who have been high before) laugh. I only laughed a couple times in this beginning portion of the movie. It wasn’t until the action finally kicked into gear that I really got into the movie. And it wasn’t just because it was action, but that in the action was the true comedy. It wasn’t over-the-top by any means (well, mostly), and it was both entertaining and funny in its presentation. But the attempted comedy that wasn’t involved in the action often failed for me (some hit, but it usually failed).

As for acting, Seth Rogen was Seth Rogen. The highlight of the movie, I think, was James Franco. His acting was done rather well, and his character was both funny and easy to feel for (just because he’s such a nice, laid-back guy). The hitmen were also unique, in a way. They weren’t Jules and Vincent, but they had their own quirks. The one character that was kind of off was Red. Though it wasn’t as much the character as it was his standing in the story. After all the stuff that happens to the guy, he shouldn’t have been up and walking as well as he was at the various parts of the movie. The other bit of the story that was kinda weird was the fact that Seth Rogen, who looks like he’s almost 40, is dating a high school girl that looks 16. Though I do admit that the scene where he goes to the high school toward the beginning of the movie was pretty funny (one of the funnier parts of the first 30 minutes).

Now, I’ve seen another movie that portrayed a collaboration between this same director and director of photography, George Washington, and I often felt the same about this as I did about that (though more positive about this one). Some of the camera work/visuals were really good. Other times… not so much. Sometimes occurances in the movie were great… sometimes they were just weird. The one thing I did get kinda tired of was the constant camera zoom-in on important objects (as if to tell the audience “Hey! I’m gonna be important in a couple seconds!”).

Overall, the action was good, and the comedy within the action was good. The other attempted comedy could have been better, in my opinion, but the latter half of the movie really kind of overshadows the former half. There were some too-ridiculous moments where some worked and some didn’t. So, yeah, that’s about it. It was really good, though it could have been a bit better. It was entertaining enough once the movie got going.

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I Am McLovin!

8.07.2008

P.E.S.T.

So... I wasn't exactly aware of the movie-day-switch-thing from Friday to Wednesday for this week (it's been a hectic couple weeks), which is why this wasn't done Tuesday. But I won't get around to going to the theater until Friday anyway, so it doesn't matter either way. Point is, it's time for Pre-Emptive Strike Thursday!

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Title: Pineapple Express.

Pre-Thoughts: Obviously the big movie of the week. It's the much-anticipated Judd Apatow-vehical starring Seth Rogen and James Franco. I'll be honest: I've only seen one or two trailers for this, though I've heard all the hype, and I knew about the movie before there even was hype. However, I do plan on seeing it. So far, reviews seem to be on one side or the other (either you love it or you hate it). I think action should be good, and the comedy should be good. Like I said, I'm not sure what to expect going into it, so it'll be a surprise. Though, I am being rather hopeful and hoping it'll be a good surprise.

Pre-Score:
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A Keanu 'Whoa'



Title: Sisterhood of the Traveling Pants 2.

Pre-Thoughts: Only two things could even remotely get me near this movie... Alexis Bledel and the quite elusive Harry Potter and the Half-Blood Prince teaser trailer. However, since I was scarred with The Mummy 3 and no trailer, I shall take no chances here, regardless of Miss Bledel. I don't think it'll be an awful movie, by any means. I just didn't see the first one, and I've already been accused of being a 15-year-old girl for certain other reasonings (don't ask). Honestly, the movie(s) probably wouldn't even bother me. It's just... nobody can be taken seriously, especially somebody like me (who has trouble being taken seriously at the best of times), going to a public forum to see a movie entitled Sisterhood of the Traveling Pants 2 (and the 2 makes everybody assume the viewer had already seen the first one, which just adds to it).

Pre-Score:
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Stop Saying Okay! Okay.

6.04.2008

Short Reviews: George Washington.

I’ve never watched a movie that was more self-contradictory than this. I can’t even give it a full review, so I was forced to do it this way. And no, it's not about the first President of the USA. (And I know my 'short reviews' are getting longer and longer... but whatever).

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Premise: A bunch of friends in a run-down, no-name town try to cover up a tragic accident. The movie shows how it affects them, most specifically a young boy named George with a rare handicap that gives him a soft skull so that any heavy hitting or large amounts of water can do a lot of brain damage.

Starring: Nobody famous.

My reaction: I was excited to see a movie with a primarily black cast that didn’t focus on the hardships of school or family (as a huge point, anyway), or about racism or any of that. Instead, everybody in the movie, black and white, got along fine and everybody lived in a gutter-town, so it all basically went unspoken. The first 5 minutes or so are amazing. I thought I was in for a real treat. The cinematography is amazing throughout the entire movie. Dirty and beautiful at the same time. The music is also good, yet haunting. The voice-over narration felt real and not forced or dry. But the dialogue would switch from something like beautiful slam poetry to cheesy or crap. The story went nowhere, yet things were always happening. The ‘tragic accident’ doesn’t happen until at least an hour into the movie, and George’s ‘hero’ persona goes absolutely nowhere, as well. The acting could go from amazing and natural, especially for child actors, to really, really bad. There were some shots that I had no idea why they were even included, as they added nothing whatsoever, interesting or pretty though some might be. It could have been something really special, and there were moments, I thought, that really shone through. But overall, everything fell through, and the movie just seemed to be full-of-itself artsy with no real purpose except to be full-of-itself artsy. I can’t even score this movie, because there were some really amazing things about it (the cinematography, the music, or some poetic dialogue), but for every good thing, there was an equally bad thing to negate it. Don’t you hate movies like that?

Side-Note: As I just looked them up, the director/writer and cinematographer both are going to be helming those same positions (except for the writer part) for the upcoming Apatow-produced Pineapple Express. This both excites me (as it will be visually stunning, hopefully) and worries me (for obvious reasons).

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WTF