Showing posts with label mandy patinkin. Show all posts
Showing posts with label mandy patinkin. Show all posts

6.09.2010

TV Meme: Day 1 - An Unfairly Canceled Show.

Well, here we go. It's the first day of this 30-day meme. Just as a forewarning, some of these choices were made on the basis of me not wanting to duplicate shows too much. For instance, I didn't want to choose the same thing for "Favorite Childhood Show" as I did for "Favorite Show of All Time." Also, my 'favorite' of anything changes constantly, so... yeah. But for most of these, I had to do internet searches to refresh my memory to whatever aspect it is I was looking for. Anyway, let's get on with the show (see what I did there?).

The first day asks me to talk about an Unfairly Canceled Show. This one wasn't particularly difficult after I did some searching and was reminded of some canceled shows that I enjoyed. There were three main choices that came to me, but of course I can only choose one. One of my runners-up was the show that did Heroes first and some might argue better, The 4400. But I wouldn't necessarily say it was unfairly canceled. By the end, the show was grasping at straws, and it was a summertime USA Network show that felt like it took multiple years to get to the next season. Despite that, the 4 or so seasons it lasted were good.

The second runner-up was another great show that I feel was very underrated, and that was the vampire detective show, Moonlight. It took an interesting look at vampire lore and spun it around a pretty unique premise--making him a private detective who ends up falling in love with a reporter. Sure, the dialogue was cheesy, but it was reminiscent of old-time noir films. However, again, not really an 'unfair' cancellation considering how few people watched it.

So that brings me to my choice, a choice I'm sure many people would agree with. And let's just say this: I don't own many TV shows on DVD, mostly because I hardly ever re-watch them, but I own the complete series of this (granted, I won it in a contest and, granted, it was only 2 seasons and a Direct-to-DVD movie, but still). And the show? Showtime's Dead Like Me.

This show was made by Bryan Fuller before he attempted Pushing Daisies (which was also canceled) and wrote some of the best episodes of the aforementioned Heroes (which was just recently canceled)... seriously, we think Joss Whedon has it bad, I feel worse for Bryan Fuller. Anyway, the premise is that a young woman named George dies after getting hit by a falling toilet seat from a space station and gets chosen to become a grim reaper. She must then cope with her afterlife and the ramifications and moral dilemmas of being said grim reaper while putting up with her co-workers and boss(es).

Her co-workers-in-death include Daisy, a pretty actress who has many-a-story on how she gave various famous people blow jobs; Roxy, a metermaid with an attitude; and Mason, a British drug addict. Her boss(-in-death) is Rube, a mysterious man with many metaphors and words of wisdom played by none other than Inigo Montoya himself, Mandy Patinkin. The interactions between Rube and George was, at least in my opinion, the glue that held the heart of this story together. He was tough when needed (and that was needed a lot), but also there for her when necessary.

George also had to keep up a regular job, as well, in order to make money (as grim reapers didn't get paid). So she works at a temp agency called Happy Time. Her boss, Delores Herbig (as in "her big brown eyes"), is a strange one, but she's hilarious. I think George's relationship with Delores is another bit of glue. There really aren't that many regular office personnel on the show except for Crystal, a quiet and very strange woman who works as secretary to the office. She's also one of the only living people that ever discovered anything about the grim reapers.

But then there's another side of the story. We also have George's old family. We're left with her dad, Clancy, who isn't around for too long, as he ends up having an affair and leaving his wife (and George's mom), Joy. Joy is a real hardass, though, and is always griping and complaining about stuff. However, she does grow as a character and get nicer and more understanding as the series goes on. But we also have George's little sister Reggie, who acts out in strange ways after her sister dies, which her parents (especially Joy) are not very happy about. George tries to contact her family numerous times, but continually gets in trouble for it and eventually pays some pretty rough consequences.

Overall, the show is very quirky, demented, funny, and full of heart. And it only lasted 2 seasons. But why? It was a much loved show, and the ratings weren't too bad. Well, I'll tell you why. There's been at least 2 reasons I've heard. The first is that the Showtime people got a new boss, and the boss wanted a completely new lineup. So most of the shows that were airing at the time, new or old, got canceled, including Dead Like Me. Talk about unfair. Here's the second reason, direct from imdb:

Bryan Fuller, creator of the show, left early in the first season due to conflicts with MGM Television, including disagreement over major script and storyline cuts considered important to the main theme. He stated that the "lack of professionalism... made it really difficult... it was like being at war... they were constantly trying to strong arm me. It was the worst experience of my life." According to Fuller, Showtime canceled the show due to "a loss of quality and a sense the problems would continue."

There had been talk for a while about bringing the show to regular television, but there's no way it would translate. With all the cussing, drugs, and serious talk of sex and blow jobs (all of which were part of its charm), I don't think it would have lasted very long outside of Showtime or HBO.

They did, however, decide to try and wrap things up with a Direct-to-DVD movie called "Life After Death," which... well... sucks. Their biggest mistake? Getting rid of Mandy Patinkin. That's right, Rube is nowhere to be seen in the movie. The basic plot is that Rube crosses over having met his soul quota and they get a new boss who really doesn't know how to run things right, pretty much trying to bring the downfall of the system. They don't even show Rube crossing over, and he gets merely a passing comment of what happened to him. Talk about a slap in the face. I mean, they do talk about him throughout the movie, usually in comparison to the new guy, but still. The next issue? They recast Daisy, and the new woman so didn't have the charm and ease that Laura Harris brought to the role. The next issue? The movie seemed to ignore at least half the rules set up by the show. I mean, the movie had its moments, but for the most part really was a slap in the face to the show and its fans.

Overall, this was a great show that was unfairly canceled, and it was not given the wrap-up it deserved. And if you have not seen this show, I definitely recommend you check it out.

8.02.2009

Page-To-Film: The Princess Bride.

The Princess Bride is one of my favorite movies. It has some great dry wit, humor, memorable characters and lines. So for a long time I was wary of reading the book it was based on, simply by the almost always true rule that the book is better than the movie. I didn't want the movie to be ruined by reading the book. But now I've read the book... and I don't think I had all that much to worry about.

As usual, let me start off by discussing the book. Like the movie, the book presents itself with two narratives (though the book's first narrative is a bit different). In the book, William Goldman sets up a gimmick. As a boy, William Goldman loved sports, had ADHD, and had no use for books. But then he came down with Pneumonia, and his father decided to read him a book called The Princess Bride, an epic Florinese novel by a man named S. Morgenstern. The book changed his life. He becomes an avid reader and, later, an author himself. He has his own wife and son now (who he's constantly degrading, but we'll get to that later), and he wants his son to experience The Princess Bride like he did. But his son couldn't even get through chapter two. And when Mr. Goldman sits down to read the book, he discovers why: this isn't much at all like he remembered it as a boy. There are endless pages of Florinese history and pointless passages of description that the scholars see as classic satire, but which he sees as dull. So Goldman sets out to write an abridged version of the book, the "good parts" version, cutting out all that pointless or dull stuff. And this is the book's gimmick. Every now and then within the book, there are short interruptions (in italics) where Goldman explains something has been cut and why, or he'll give a story of why his father had skipped these passages in reading to him in the first place and the conversations they had at these points in time.

But we also have the "main" story, which is that of true love, adventure, etc. I'm not really going to bother explaining it because, well, if you don't know the story of The Princess Bride, shame on you.

So how is the book? It's pretty good. The first 30 or so pages, though, is pure ADHD setup of the gimmick, bouncing back and forth between stories of Goldman's life--childhood and adult--and how he both learned to love reading and how he got to this current point in his life. But then it picks up and the real story begins.

The writing style is something you'll either love or hate. There are a lot of fun "statistics" (much like the movie's "there have been 5 great kisses...", which actually is in the book, though around the middle instead of the end). He also uses an incredibly amount of polysyndeton (where he connects many things with 'and' and it seems like a run-on sentence, when it fact it's just a really long one. It's a stylistic thing that most authors don't use anymore. You mainly see it in older works anymore. Hemingway did it frequently, as well). And there are a lot of parentheticals where it'll say something like (this was before THIS but long after THAT), some of which weren't historically accurate, some of which were, but that was the point (at least according to the abridged notes). And then there are the abridged notes themselves, which I didn't find nearly as annoying or tiring as I've read in other reviews. In fact, the majority of them end up in the movie in some form or fashion (with the sick grandson/grandfather bits).

There was really only one thing that surprised me about the book: it was mean. From either characters or Goldman himself, there was a surprising amount of misogyny, superficiality (primarily with women), racism, anti-Semitism, cynicism, and just all around insult-tossing. Honestly, the mix of the "true love" stuff, "perfect beauty" talk, and mistreating of women, there were numerous times I kept flashing back to Twilight, which was really rather painful to even think about making that comparison. Though, thankfully, the difference is that William Goldman can actually write, and write very well. And his characters are actually likeable--when they aren't being uncharacteristically angry for, sometimes, no reason. And that was another strange thing. There were few times in the movie where the characters seemed angry or upset. In the book, they got angry quite a bit, yelling, insulting, etc. Though some of the "angry" lines went to the screen and were acted with wit instead of anger, which is much better, in my opinion.

And to top it all off, the book has a horrible ending... if you can really call it an ending. The "Princess Bride" story just kind of ends (and the "unabridged" ending that's shown is also terrible and such a downer), but it ends with more abridged notes after that... which ends with such a cynicism that it nearly destroys the feel good "true love conquers all" mood of the rest of it.


But then we have the movie. If the book is the abridged "good parts" version of the S. Morgenstern work, then the movie is the "good parts" version of the abridged work. And ironically, the movie was also written by William Goldman. But besides even the writing, the casting is perfect. Cary Elwes, Robin Wright, Mandy Patinkin, Andre the Giant, Wallace Shawn, Christopher Guest, Chris Sarandon, Billy Crystal (et al)... perfect.

Now, don't get me wrong, in retrospect, there are some things better about the book, and some things better about the movie. But for the most part, this is an incredibly close adaptation. Some lines were altered from the book for the movie just slightly (mostly when things had to be condensed), and for the better. But there were also entire lines and scenes that were a bit different from the book that I actually prefer in the film (most specifically, how Westley presents the story of the Dread Pirate Roberts to Buttercup both before and during the Fire Swamp... in the book, it's not even brought up until after Buttercup realizes the man in black is Westley and they're in the Fire Swamp).

So what did the book do better? Character backgrounds. The movie, of course, briefly touches on Inigo's history in terms of his father and his revenge. But there's so much more in the book. Not to mention Fezzik's story is almost all but removed entirely (there are certain points where you can get bits and pieces, such as Fezzik's nearly indiscernible speech to Westley about fighting one person versus groups, or Vizzini threatening to send him back to Greenland). And because Fezzik's character is played down a bit, there's a line at the end that doesn't make too much sense and seems out of place, where Inigo says "You've done something right." Also, I was surprised how how much more rhyming there was in the book than the movie. But I'm rambling now.

Buttercup, Vizzini, Humperdinck, and Count Rugen also have more details to them than the movie grants. Actually, the movie takes what has to be the first 100 or so pages of the book and condenses it down into about 7 minutes. And what else to these characters have in common? They're actually less likable (including Buttercup) in the book. For Buttercup, that's a bad thing, but for the latter three, it's good... for the book, anyway. Primarily Humperdinck and Rugen, they seem much more villainous and dastardly in the book. Rugen is more calmly psychotic (he's really a great and disturbing character, and Christopher Guest played him brilliantly for what he was given). And Humperdinck's hunting skills are hugely downplayed in the movie.

In fact, that brings us to the biggest cut/change from book to film. The book's Zoo of Death becomes the film's Pit of Despair (not to mention The Albino's personality shifts completely for the little screen time he has, though I think for the better). The Zoo of Death is a 5-level containment area, where each level gets more and more dangerous. Humperdinck keeps the world's most dangerous animals there, and depending on what he feels like hunting at the time, he'll have The Albino go and get it for him, and he'll hunt it then and there. The only empty level is the fifth level, saved for the most dangerous animal, which he hasn't discovered yet. Turns out, this is where Westley is held later, what the movie turns into the Pit of Despair. Though the only real reason to have kept it in the movie would be the scene where Inigo and Fezzik have to travel through it to get to Westley, though those descriptions in the book were rather confusing and not nearly as exciting as it could have been (there were hippos and lions, and they end up fighting a giant snake and some bats).

All in all, the book is a good companion piece to the film, filling in some blanks to help things make more sense (though they made sense to me until I read the book, then I realized that there were just some things that were only touching the surface of what was really there). Of course, there are more things than I've mentioned, but nothing drastically important.

I suppose when looking at the two, I must say that the movie is better than the book. The movie does have some great things in it, primarily the more extensive character details, but the best parts of the book come in the humor and dialogue, most of which comes off word-for-word in the movie (seriously, as I said, this was a close adaptation). I did like the statistics in the book, though. If you like/love the movie, I'd suggest reading the book at least once. It really is a really good book. I just happen to prefer the movie.