7.07.2012

The Demented Podcast #42 - We're Kinda Cocky.

Today we're joined by Nolahn of the Bargain Bin Review for what is probably one of our best episodes... as well as one of our most offensive. Seriously, starting around roughly the 45-minute mark, this episode becomes incredibly NSFW (I'll give you a hint... the last episode focused on the female anatomy, so I guess it was only fair to balance it out). We had so much fun with this episode we had to do it twice! (More on that within the actual episode.) Otherwise, we're talking about book-to-film adaptations, looking specifically at the films (and their respective short stories), Minority Report and Rashomon. But we don't stay on either long, as Nolahn wanted to branch the discussion off and have a more detailed talk about when it's right and wrong to hate on a film, particularly if it's staying true to its source material. We discuss many different films, everything from Harry Potter and Twilight to ThorNarnia, Watchmen, Jaws, and more! But then it's time for Nolahn to take on the Tower once again. Last time, he became the first person ever to fail the Tower. Will he redeem himself? Or... will he make history as the first person to fail twice? Listen to find out! Also... if you aren't offended by the end of the episode, make sure to stay tuned after the closing music for a little something special...

P.S. Here are some links Nolahn mentioned he'd send for us to add to the episode for further reading:


Due to Podomatic bandwidth issues, I will no longer be placing the podcast player on the site. But you can easily listen and subscribe through iTunes!

Current Tower Leaderboard
1) Dylan Fields - 167 Points

Current/Previous Battle Royale Champions
(BR4) Stevee Taylor - 285 Points
(BR3) Dan Heaton - 176 Points
(BR2) Dylan Fields - 114 Points
(BR1) Rachel Thuro - 171 Points

That being said, enjoy! Thanks goes out to Kevin MacLeod's Incompetech website for great, royalty-free music. And thanks to Google fo

7.05.2012

THE AMAZING SPIDER-MAN.

When this was first announced, the majority of the population followed a more negative path by saying how unnecessary this was and how it was just going to suck anyway. I, on the other hand, greatly anticipated this movie. And the more I heard about it or saw from it, the more excited I became. But... which one of us was right? This version of the story changes things up a bit and has Peter Parker (Andrew Garfield) living with his Uncle Ben (Martin Sheen) and Aunt May (Sally Field) after his parents disappear due to some great conspiracy. But as he follows some new-found clues and tries to solve a little of the mystery, he finds himself at Oscorp and talking to an old friend of his parents, a geneticist named Dr. Curt Connors (Rhys Ifans). Peter ends up bit by a genetically enhanced spider and gains his powers, but also helps come up with a formula that regenerates limbs, much to the one-armed Dr. Connors' delight. The doctor injects himself, but it backfires, and he becomes the deadly Lizard, wrecking havoc on the city. Meanwhile, Peter falls for the beautiful Gwen Stacy (Emma Stone), whose father (Denis Leary) just so happens to be the police captain that is after him. Oh, and Uncle Ben dies and all that stuff, too. (...spoiler alert?)

To all the people who complained about this being so unnecessary, I say it's different enough from the Raimi trilogy to be worth it. In fact, it's quite different. The origin story alone has been changed up. Key events still happen, but the details have changed. Ben doesn't die waiting to pick up Peter from a wrestling match--Peter runs out after a fight, with Ben chasing after, and Peter doesn't stop a robbery in a convenience store (I also loved the fun detail that the clerk's name was T-Bone, much like the wrestler name Bonesaw). It's things like that about the story that keep things fresh. But it's not so drastically different that fans should be up in arms about the changes. The heart and soul of the story and its characters are still there.

Another key difference here is the emotion. This is a much more emotional film than the Raimi movies. This takes its time, builds up the characters and their relationships. It doesn't play up the cheesiness like the originals, but rather focuses on the realism and how these are just like real people. The bullied gains power and becomes the bully. The bully (in this case Flash) isn't totally heartless or some dumb brute. The characters are layered, and their relationships with each other are more detailed. When Ben dies this time around, it hit me harder. Why? Because you spend a good chunk of the movie seeing his connection to Peter. Not to mention Martin Sheen was an excellent choice for Uncle Ben.

But the film isn't entirely serious, either. There's a lot of humor. One of the things I was most excited about with this reboot was the fact they were bringing back Spider-Man's snark. What Raimi never captured was the fact Spider-Man is a total smart-ass, always making little quips and talkin' smack. This movie captured that perfectly. And a lot of that has to do with Andrew Garfield, I think, who brings us a troubled Peter, but also a quick and intelligent Spider-Man. But we can't leave it up to him alone. Emma Stone's Gwen Stacy is a far more interesting character to me than Mary-Jane Watson. Stone brings her usual quick wit to the character, adding a connection to Garfield's Peter and giving them some fantastic chemistry. I felt a passion between those two and wanted to root for them to be together, while I only really rooted for Mary-Jane because I knew they were supposed to end up together in the end. And Emma Stone is drop-dead gorgeous.

The action is done well, in my opinion, as well. Spider-Man is a lot more agile. The original film had him show strength in hard hits and whatnot, but here we have a more acrobatic hero. He runs, climbs, swings, spins, dodges, and kicks a lot more. He also uses his webbing to attack a lot more, to blind, bind, gag, hit, etc. I suppose it's really playing up to Andrew Garfield's slimmer frame that we're given this more acrobatic and really 'animalistic' fighter than the more brute force (for lack of a better term) the other version had. Though don't get me wrong, we definitely see his strength in this movie. In fact, there's a bit of a running joke about Peter accidentally breaking things throughout.

Where the film loses points is with some of its aesthetics. Remember those first person point of view shots in the early trailers? Yeah, there's some of those here. They aren't often, but they're kind of jarring when they happen. And the one thing I was afraid of turned out to be my biggest issue--The CGI of The Lizard. It's not terrible, but you can tell it's CGI. And it's strange, because there are scenes where you see Rhys Ifans with some reptilian make-up on parts of his body that look infinitely better than the actual creature. I wish they had gone for something more like that. Like I said, it's not terrible, but I'm sure in another 5+ years, it'll be pretty rough.

There have been a lot of complaints about the film seeming disjointed, about how the first half of the movie deals with Peter's hunt for revenge, while the second half focuses on The Lizard, and the first half isn't ever really wrapped up. Well, I think that's the point. After gaining his powers, Peter abuses them. He becomes what he hates in people and uses his abilities for his own selfish gains. His first repercussion for this is, of course, Uncle Ben's death, which actually just makes everything worse. But it's really when we're in that transitory state of the film and The Lizard makes his first attack that things turn around. Peter saves a child from a burning car and, while it's not said, you can tell through Andrew Garfield's fantastic acting that this is a pivotal moment. He realizes he needs to use his powers not for selfish gain or revenge, but to do good, to be responsible, and to move on and help others. That's why he never finishes his revenge mission. His focus has changed because he, as a hero, has changed. It's a transition we don't really see in the original film, where he accidentally kills the shooter and just kinda becomes Spider-Man afterwards. And it's a transition that really suits the more emotional aspects of this film well.

But overall, I think the film was a success. Does it drag a little in the first 'origin' half? Eh... maybe slightly, but I think the character building and updated story is worth it in the end. And I was slightly bummed they never said the signature catch-phrase (came close, though). It's not a perfect movie, but in the realm of whether or not it was necessary... is any movie "necessary"? We're talking about decades of story to play with here with multiple reiterations in the comics. So why not? It brought something fresh, made it entertaining, and despite the changes in story, kept the actual character aligned with the original version (and hooray for actual web-shooters!). It's just a new vision, and one I'm glad they made.

Rating System.
Royale With Cheese

(P.S. And yes, I'll say it... better than Raimi's Spider-Man.)

7.04.2012

50/50 Review #25: Road House.

What a better way to celebrate the halfway point of this project than with a true classic... Road House. So, Dalton (Patrick Swayze) is the best cooler and/or bouncer in the business. He's hired on by Tilghman (Kevin Tighe) to help clean up his bar, but things get a little heated when Dalton's views conflict with those of Brad Wesley (Ben Gazzara), a rich man who basically owns the town. And everything gets even more complicated when Dalton begins seeing Doc (Kelly Lynch), who has ties to Wesley's past. He eventually gets a little help from old friend and mentor, Wade Garrett (Sam Elliott)... but will it be enough?

This movie is a cult classic, which means there's a possibility that one might not like it by the time it ends. Cult classics, by definition, are geared to specific tastes. That's why they have "cult followings." I had this fear going into this movie, which had been so built up and so immortalized for me in the last few years. I wasn't sure if it was going to live up to the hype. And even worse, if I disliked it, would I be ostracized?

Hopefully that fear won't come to fruition. While it's not perfect, even by cult standards, Road House is a hell of a lot of fun. I'll get the negative out of the way first. At just shy of two hours, I felt the first hour dragged a bit. There were some good moments here and there, but it was almost all building up the characters. I found myself constantly checking the time during this half of the movie and getting anxious when I would realize only a few minutes had gone by since I last checked and I still had over an hour of the movie left. It's just a lot of repetition in both talk and action... at least to me, anyway.

But then the second half of the movie kicks in (no pun intended). The villains get more villainous, the action gets crazier, and the tone of the film slips from regular drama to B-Movie goodness. This all builds up to a moment before the climax of the film that I don't want to spoil if you haven't seen this yet. Let's just say it starts with an explosion, continues with crazy laughter and cheesy lines, leads into a fight, and ends with something that--no joke--made my eyes literally widen in shock at the unexpected act of pure awesomeness. I think my initial reaction was "Holy F***!" (Though I didn't say it.) Oh, and the climax itself is good, too. I love how the baddy gets his comeuppance.

Let's look at the actors and/or characters now. There's really no need to mention Swayze. He drips with cool in this movie, and I know I wouldn't want to face the guy in a fight. Ben Gazzara plays our villain, and hot damn is he villainous. A lot of movies say "This man is insane!" but there's always a method to the madness. Not this time. Brad Wesley is totally nuts and doesn't care whose lives he has to destroy just so he can feel better about himself. He's not in it for money or power. He has that already. He's just out to exploit it and be as maniacal as possible. But who really plays up the cheese factor part of the villain is his right hand, Jimmy, played by Marshall Teague, who is involved in that fight of awesomeness mentioned earlier. By the end, I was expecting him to team up with the dude from Silent Night, Deadly Night Part 2 for how silly and crazy he was. But who I really need to give it up to is the man himself, Sam Elliott. This guy should have a role in every movie. I'd say that would make it better automatically. Though it does seem rather blasphemous for him to be without his mustache. Still, he was awesome.

Like I said, I didn't find it to be the perfect badass movie ever like it was built up to be... at least not in the first hour. The second half, however, is about what I expected of the movie as a whole. It was pretty dang cool. The characters are fun. The story is essentially just a modernized western (stoic cowboy is hired to come clean up the town, lives on a farm, runs into problems with 'oil baron' or whatever, falls for local girl... all with a slow build-up that leads to a big shoot-out... and co-stars Sam Elliott). And it gets pretty cheesy awesome towards the end (with a little sprinkled throughout). Good stuff.


A Keanu 'Whoa'

7.03.2012

Top 10 Favorite Films Of 2011.

It occurred to me that I actually have yet to do a Top 10 of what I feel were my favorite films of last year. I know I'm kinda late to the game, but now that I think I've finally seen practically everything 2011 had to offer, I can pretty safely share my list. And not only is it a relatively different list than it was at the end of 2011, but it was a really tough list to make. By now, I've had a chance to see a bunch of other films from the year. I've been able to rewatch a bunch of others, and let even more sink in on my feelings towards them. So all of that came into play while formulating this new list. So without further ado, here it is.

Top 10 Favorite Films Of 2011



10) Immortals

This made the list purely for the visuals and the action sequences, because you really won't see anything nearly as awesome in any other movie last year. On the other hand, it gets kind of dull and dry when it's not being all action-y, which is why it ends up at the #10 spot.

9) Mission Impossible: Ghost Protocol

On the other hand, we have what is easily one of the most entertaining action films of last year all around. The action, the comedy, the chemistry between characters. I actually watched this movie twice within weeks of each other not that long ago, something that I rarely do these days.

8) The Skin I Live In

This film totally caught me by surprise... and in more ways than one. To go too much into it would be to ruin the experience. Let's just say it's one messed up movie, and I love it for that.

7) Crazy, Stupid, Love.

Even if the rest of the movie was terrible, this would have made the list for the backyard scene alone. But the rest of the movie isn't terrible. In fact, it's rather good.

6) Midnight in Paris

Woody Allen tends to be hit or miss with me. But this is very much a hit, playing up to my English teacher sensibilities. And although I'm actually not a big fan of reading Hemingway, his portrayal in this film is fantastic and hilarious.

5) Tucker and Dale Vs. Evil

Probably one of the biggest shocks, if you know me, is to see this bumped down to the #5 spot from the #2 it had been at around the end of last year. It's still good. I still love it. But other loves got in the way.

4) Attack the Block

On the other hand, this one got bumped up. The language of the film is what really gets me. The interactions with the other characters and the chemistry between them is great. And it's just a funny, fun little movie.

3) Hesher

And I'm pretty sure this stayed in the exact same spot. I thought about moving it up one, but decided it stays here. I've been an advocate for this movie and still think it's pretty damn smart... a lot smarter than people might give it credit for. You know... if they ever saw it.

2) The Artist

Biggest shock even for me. I adored this film in theater and bought it the second it hit the shelves. It even inspired me to make my own silent short film (well, this and some Chaplin films I've watched recently). It's just... really hard not to like this movie.

1) Harry Potter and the Deathly Hallows: Part 2

Duh. You thought this was going to change? Yeah, didn't think so.

(*Note: Although some consider We Need To Talk About Kevin a 2011 film, I am following the listing of it as a 2012 film, since it basically hit theaters early January. Otherwise, it would have made this list.)

7.02.2012

V.G. Movies #25: Postal.

[Welcome back to the Evolution of Video Game Movies series. Every week, I will be moving forward through time, starting with the earliest and ending with the most recent of video game movies. I will be detailing the histories of the games and how the films came about, and both my and fan reaction to the adaptations. Practically all of my background information is either common knowledge or from Wikipedia. So without further ado, let's move on to the next film on the list.]

THE HISTORY

I'll give you the short version, because it's not really all that relavant to much of anything. The Postal game series are a bunch of shooters that are known for being incredibly controversial due to... well... trying to be as violent and offensive as possible. There's not much of a plot to these games, mostly hinting at things like a viral infection causing people to go crazy, an apocalypse, terrorists, and some other things. But on the whole, you don't know much... not even the main character's name, who just goes by "Postal Dude."

So of course, the king of offensive himself, Uwe Boll, had to get the rights for the movie. He took most of his ideas for the film from the second game in the series, Postal 2. And, as most Uwe Boll movies do, it sucked and flopped. And I reviewed it already two years ago, so you get to see that review again. Yay!

THE FILM

I wanted to like this movie... I really did. And in fact, part of me did. At least, certain parts of it. But it was just so... I don't know. Let's get into it, shall we? Based on the video game of the same name, Postal cannot be blamed for ruining the story of the game. Why? Because the game has no story. So how can you mess up a movie adaptation? Well, Uwe Boll found a way. Set a few years after 9/11, the story follows Dude (Zack Ward) as he has a really bad day, including his overly obese wife cheating on him with, well, apparently the whole town. His uncle, Dave (Dave Foley), runs a sham of a religion that he made up himself. But he and his right hand, Richard (Chris Coppola), run afoul of the government and owe a lot of money. Meanwhile, Osama Bin Laden (Larry Thomas) shacks up in the back of Habib (Erick Avari) and his daughter's convenience store and plans, along with a man named Mohammed (Michael Benyaer), some secret, dastardly plan that is even crazier than 9/11. And all of these stories will converge... with Verne Troyer.

Yeah, the biggest problem the movie has is that it tries to do way too much. There's even a subplot with a police officer that I didn't mention up there, not to mention a couple horny old men that are thrown in from time to time. And not only with different storylines, but different things going on within each storyline. It just feels like a total mess.

The comedy is really hit or miss, and considering this is a comedy, that's not a good thing. It's a very over-the-top screwball-type comedy, not to mention it tries to be as offensive as possible. I actually went into the movie expecting it to be offensively bad and batshit crazy as I'd heard rumored. This movie really was tame, especially in comparison to films like Feast 2 and 3. But there are some genuinely funny moments. Unfortunately, most of these moments happen within the first 20 or so minutes. For instance, the opening with the 9/11 terrorists, the interview scene (with "That Guy" Rick Hoffman), and the Asian lady in the car scenes were great (actually, the interview scene is probably my favorite scene in the whole movie). There's also a scene that introduces yet another character, a coffee shop worker named Faith, that is hilarious. And I haven't even mentioned the fact that J.K. Simmons needed a paycheck pretty bad for this movie, too (though his role is horribly short).

The acting can range from decent to awful. Zack Ward is pretty good in the lead role. He does comedy well. Dave Foley would have been better had I not have been subjected to seeing his penis. And I loved how Bin Laden was the only middle eastern character who didn't have a middle eastern accent. The worst offense, however, has to go to Chris Coppola as Richard, who is so annoyingly over-the-top, he would have ruined the movie had it already not been disappointing.

I think the action is where the movie lacked the most. In a movie about a first-person shooter that is known for being nothing but pure violence, there is surprisingly little. In fact, the violence doesn't really kick in until quite late in the movie. Though I wonder if Uwe Boll did this purposefully so to have a single joke work: There's a scene where Mr. Boll cameos as himself being interviewed, and eventually the creator of the Postal video games appears and attacks him, claiming how he's ruined his game by making this movie. It's actually a fun and clever scene, and Uwe Boll gained a bit of respect with me in how he makes fun of himself in the scene. But really... you make the majority of the movie suck for the purpose of a single joke that actually makes fun of the movie maker? That's pretty ballsy... and I don't think it worked, if that was really his intention.

But where the movie failed, it failed epically. Where it failed to be clever, it was painfully stupid. Where it failed to be funny, it was painfully unfunny. And unfortunately, there were more bad moments than good. The movie was a pretty big mess overall, and I wish that the good was scattered throughout the film instead of lumped at the beginning. 

I'm sure there's more I wanted to say about this film, but I'll leave it at that. With a tighter script, this movie could have been decent. But as it is, the movie is a bit sub-par. There are some fine moments, like I said (check out the interview scene here). But these scenes were far overshadowed by the rest.


Photobucket
Feed Me, Seymour!

(P.S. What is the difference between duck?)

7.01.2012

MonthWatch - June 2012.

[I'm going to keep a monthly tally of the movies I've both watched for the first time and as re-watches. I think it'll be interesting to see what all I've watched at the end of the year and how many. That being said, let's do it. Here's the next month.]

Note: Wow... I hit summer time and really drop in count. This is probably the lowest count I've had all year so far, particularly in the re-watch area. But I guess I've just wrapped myself up with different projects and found myself busy. Anywho, here you go...

June


THEATRICAL (1)
Prometheus - Cool, but a little too slow and with a third act that didn't really make up for the slow burn.


RE-WATCH (10)
Scott Pilgrim Vs. The World - For LAMBcast. And because it's freakin' awesome.
Doom - For V.G. Movie article. It's... not good. Except for the 5-minute first person segment.
Minority Report - For DemPod. One of the best modern Sci-Fi movies out there.
Alien - In the mood after Prometheus. One of the best classic Sci-Fi movies out there.
Rashomon - For DemPod. Gotta love Kurosawa.
Silent Hill - For V.G. Movie article. One of the, if not the, best video game adaptations.
Who Framed Roger Rabbit? - It was on TV while I was on vacation... and it's awesome.
Collateral - I was in the mood for a good hitman movie.
She's Out Of My League - I think it's an underrated comedy.
The Artist - Still just as great, if not a little better.



FIRST TIME (20)
Dead Ringers - For DemPod. Jeremy Irons is the only reason to see it.
We Need To Talk About Kevin - For MILF. Didn't expect to love it as much as I did.
Much Ado About Nothing - For 50/50. Also didn't expect to enjoy it as much as I did.
RoboCop - It... was OK.
Gone - My memory of this movie is already gone. (buh dum, psh)
Safe House - For MILF. It is what it is... not much more. But I was OK with that.
An American Werewolf in London - For LAMBcast (that ended up being too sick for). Fun... and fantastic transformation sequence.
The Road - Such a happy film, isn't it? Still... very well made.
Richard III - For 50/50. The only one I didn't really care for of the month.
Ghost Rider: Spirit of Vengeance - For MILF. Had some dull moments, but also some great moments.
Sherlock Holmes: A Game of Shadows - Ditto.
Die Hard 2: Die Harder - Not as good as the original, but it has its moments, as well.
Tales From The Crypt: Demon Knight - This was a lot of fun.
Demolition Man - But this one... was freakin' awesome.
Titus - For 50/50. Very weird. Are we sure this one is Shakespeare? Still entertaining, though.
The FP - For MILF. Also very weird, and the joke wears out its welcome pretty fast, but it has a couple moments here and there.
Jeff, Who Lives At Home - Fantastic!
Scotland, PA - For 50/50. Pretty inspired re-telling of Macbeth.
21 Jump Street - I actually had fun with this and didn't expect to.
Empire Records - Started off "What the heck am I watching?" But got invested in the characters and just rolled with it. I ended up really enjoying it.


CURRENT COUNT

Theatrical - 7
Re-Watch - 108
First Time - 120
TOTAL - 235

6.30.2012

The Hat Trick Film Diary: Day 1.

So I began work on a short film project today entitled "The Hat Trick." It's a (mostly) silent film in three parts. I say mostly because it starts out in color and with sound, but changes pretty quickly (there's magic involved).

The basic idea of the story is that a magical top hat finds its way into the lives of a handful of people and gives them exactly what they deserve. Each segment is its own story, but they all tie into each other, and each segment was inspired by a different silent work.

The first story gets the ball rolling as The Lady leaves her office for a while, leaving her Apprentice to clean up before she returns. But as soon as she leaves, The Apprentice stumbles upon the top hat and things slowly become more and more chaotic from there. Of course, this story was inspired by the "Sorcerer's Apprentice" segment of Disney's Fantasia. There's a lot of magical things involved here. And yes, I even have a broom involved.

The second story follows a Hobo and a Thief. The Hobo comes across the hat and wears it around a park. Meanwhile, a Thief has just stolen a precious jewel and tries to hide it before she's caught with it. However, it somehow finds its way transported into The Hobo's hat. Wackiness ensues as The Thief tries to sneakily steal it back. This segment was heavily inspired by Charlie Chaplin, so there's a lot of physical comedy and dramatic irony.

The final story follows a stingy, rich Man. After getting the hat himself, he goes home... only to find himself plagued by magical mayhem as a kind of payback for how he acted earlier on. This segment was, in part, inspired by The Artist--but mainly that dream sequence scene where everything is starting to make sound except for him, and it's driving him crazy.

Anyway, today I wrapped up filming on Part 1. It was a fun, albeit sometimes trying shoot. The bulk of it was just me and the teenage daughter of an acquaintance of mine (who will also be appearing in the movie in Part 2). The entire shoot took four hours (from about 11 AM to 3 PM). We worked in the office in a University where I used to work for about 3 years (and where I will be working again briefly in the near future), and I actually had to get special permission to film there, which was an interesting experience. I ended up with about 47 minutes of footage, which I'm assuming will be whittled down to maybe 20 minutes by the time I'm done editing it.

Some highlights:

*Having to watch for cast members to show up because the building was actually locked up, meaning I had to let them in when I saw them arrive.

*Realizing I needed an empty bottle of water and not having it... so going to buy a bottle of water from the vending machine, gulping it down in less than a minute, tearing off the label, and having it ready for use.

*Having no hallway lights for the "water fountain" moment and having to use the flashlight on my phone to end up with some pretty crappy quality. Oh well, it was only a few seconds long.

*Using a set piece with a logo on one side of it, and having to turn it in a different direction multiple (and I do mean multiple) times depending on the angle of the shot.

*Discovering that some seemingly easy shots were much more difficult than they first appeared. (Like walking away from a closed door to reveal something behind the actor, or tossing a hat onto an inanimate object from mere inches out-of-frame.)

*Realizing I'm not only racing the clock (my teen actress' ride was coming in 30 minutes), but that the battery on my camera was getting terribly low at the same time.

*Spreading thumb tacks over the hallway floor and hoping security (who I had learned earlier had not been made privy to my activities) would not find me out and kick me out for endangerment (after all... it was a near-empty building!).

*And, of course, filming some truly difficult shots (that I knew were going to be truly difficult) involving multiple shots, good timing, split screens, steady hands, and a helpful director standing right out of frame to help hold a somewhat heavy prop.

Anyway, the shoot went relatively well and I got some great stuff out of it. Some of the tough stuff came out really well. Others... well, let's be thankful they're quick moments. I hope that once I get everything in order and some music behind it, that it'll be pretty fantastic. And now all I have to look forward to are two more days of filming in the near future!

6.29.2012

The Demented Podcast #41 - Gynecological Instruments For Mutant Women.

NOTE: I know this was due last weekend, but for some strange reason, my Podomatic bandwidth was insanely above the limit--not sure why, considering I (and nobody else, as far as I know) don't post the actual player on my page. But the bandwidth reset itself today, so although I normally post DemPod on Saturdays, I decided to put it up today due to it being late anyway.


--------------------------------------


We are finally back with our first regular episode of the season, and to help us kick it off is our old pal Dylan Fields of Man, I Love Films. He's on this episode, which was actually recorded prior to the previous Battle Royale, to discuss psychological thrillers, particularly of the medical variety. First up is Cronenberg's Dead Ringers. We follow that up with Almodovar's The Skin I Live In. And for pretty much the first time on the show, we actually speak for a while spoiler-free for the latter film and then give a spoiler warning for when we discuss the film post-twist (for this is not a movie you want spoiled in that regard). Then, of course, we move on into The Tower. Will this prior Battle Royale champion (of the second rendition) reclaim glory, or will he choke under the pressure? Listen to find out!

Due to Podomatic bandwidth issues, I will no longer be placing the podcast player on the site. But you can easily listen and subscribe through iTunes!

Current/Previous Battle Royale Champions
(BR4) Stevee Taylor - 285 Points
(BR3) Dan Heaton - 176 Points
(BR2) Dylan Fields - 114 Points
(BR1) Rachel Thuro - 171 Points

That being said, enjoy! Thanks goes out to Kevin MacLeod's Incompetech website for great, royalty-free music. And thanks to Google for helping me find a website that will give me free video game audio samples.

6.27.2012

50/50 Review #24: Scotland, PA.

The last film of Rachel's/Shakespeare's Month is actually not only not in Elizabethan English, but also based on a play I've actually read/am familiar with. Here we take a more modernized look at the tragedy of Macbeth... by turning it into a dark comedy. Taking place in 1970s Scotland, Pennsylvania, this film tells a story surrounding the burger joint Duncan's, owned by Norm Duncan (James Rebhorn). Under him are married couple Joe 'Mac' McBeth (James LeGros) and Pat McBeth (Maura Tierney), who just want to move up in the world, especially after three hippies (Timothy Levitch, Andy Dick, and Amy Smart) give him the idea that he (Mac) could. So after killing Duncan, the McBeth's take over the business from his sons, Donald (Geoff Dunsworth) and Malcolm (Tom Guiry), and start to do really well. At least, until Lieutenant McDuff (Christopher Walken) shows up looking for answers. It also doesn't help that their fry cook, Anthony 'Banko' Banconi (Kevin Corrigan), is a little suspicious of them himself.

Updates of stories, particularly Shakespeare, are almost always a ton of fun. You always try to make connections to the source material, and it's always a hoot seeing how they make it work in the present (or at least in a more modern time period). I haven't really read the play in years, so I actually did a refresher before really getting into the movie. And I'd say it did a pretty bang-up job. Of course, I was disappointed not to hear even any attempt to add in even hints of famous lines "Double double, toil and trouble... Something wicked this way comes" or "Out, out, damn spot!"). But they still managed to play really well with the slipping mental state of the McBeth's. Oh, and I guess the curse of the Scottish play lives on... considering this was the one and only movie this director ever made.

The cast was fine with it, too. The language was updated, which on the one hand made it infinitely easier to follow... but at the same time saddened me that I didn't get to hear Christopher Walken do Shakespeare. Though Walken was fantastic and goofy, as per usual. Maura Tierney stole the show as the obsessive and then slowly-going-insane "Lady Macbeth" character. But somebody please tell me that I'm not the only one... who couldn't stop thinking about Mark Wahlberg anytime James LeGros was on screen, which was the majority of the movie. Seriously, as long as you weren't right in the guy's face, he looked almost exactly like him. Not to mention it would be a perfect character (or at least version of this character) for Marky Mark to play.

Otherwise I don't have many thoughts on the film. Of this month of Shakespearean films, it might not have been the technically best, but it was certainly one of if not the most entertaining. Again, that might have something to do with the fact I actually knew the play this time around. (Also, don't get me wrong. I'm not saying the others weren't entertaining--except Richard III... sorry, Rachel--I particularly loved Much Ado About Nothing, and Titus was also bizarrely fascinating). But on the whole, while not perfect, this film was really fun.


A Keanu 'Whoa'

(P.S. And that's it for Rachel's/Shakespeare's Month! It was certainly an experience! I honestly didn't know what I would feel going into this month, but on the whole it was pretty enjoyable... with just a little stumble here and there. Next month belongs to Dylan with a few of his personal favorites. So let's hope we're still friends after it's over.)

6.25.2012

V.G. Movies #24: D.O.A.: Dead Or Alive.

[Welcome back to the Evolution of Video Game Movies series. Every week, I will be moving forward through time, starting with the earliest and ending with the most recent of video game movies. I will be detailing the histories of the games and how the films came about, and both my and fan reaction to the adaptations. Practically all of my background information is either common knowledge or from Wikipedia. So without further ado, let's move on to the next film on the list.]

THE HISTORY

I'm gonna be on vacation this week, so I'm gonna make this easy on myself (and males and/or anyone attracted to females, you can thank me later). There's a fighting game series and a beach volleyball series. So here's all you need to know about the games:





THE FILM

Since it won't embed, please click here for all you need to know about the movie. And that about covers it. Silly action. Lots of cheesiness. Exactly what you'd expect it to be. Oh yeah, and boobs and sex appeal. Lots and lots of boobs and sex appeal.


A Hot Mess