THE KING'S SPEECH.

Well, I finally saw it. Today was the last day it was playing at my local theater, so I figured I might as well check it out. For those of you who don't know, it tells the story of the rise of King George VI (Colin Firth), who starts out as the measly Duke of York while his father, King George V (Michael Gambon), runs the roost with his brother, Edward (Guy Pearce), is up for the throne afterward. Well, before he was George, he was Bertie, and Bertie has a stutter. So Bertie's wife, Elizabeth (Helena Bonham Carter), takes him to a speech therapist named Lionel (Geoffrey Rush) to get some help. Bertie and Lionel form somewhat of a friendship as they go along, Lionel trying to get the stubborn Bertie to see that he does, in fact, have a voice. The film also features Timothy Spall as Winston Churchill (which brings its Harry Potter count to 3).

There's really nothing to say about this film that hasn't already been said or inferred. The rumor mills have been spinning that it's gonna make a sweep at the Oscars. It's definitely the front runner over the previously established front-runner, The Social Network. At the very least, Colin Firth has Best Actor in the bag. So let's start there.

The acting is, obviously, brilliant. Firth does magnificently in the role, emoting the pain and struggle of not only living with a stutter, but having to be this perfect figure of authority at the same time. There's a lot of emotion displayed, most of it through his facial expressions. Bonham Carter also does well as his wife, and it's pleasant to see her not doing something bizarre. But my favorite of the bunch is Geoffrey Rush, who was outstanding as Lionel Logue. He was funny, charming, and just a bit odd. He was certainly my favorite character in the film.

The visuals of the film were also gorgeous. The camera work and cinematography worked together beautifully. There were some angles and positions that were really inspiring, and working together with what we were seeing truly pulled it together. There's a scene really early on with a car going through the fog, which was probably one of my favorite shots in the entire movie.

The only thing working against the film--for me--is that it really is Oscar-bait. As such, I found myself checking my watch rather frequently (as Oscar-bait films aren't exactly my thing, as it were). Though it wasn't particularly boring, either, thanks to the relationship and chemistry between Firth and Rush. Will I go out and buy it when it hits the shelves? Probably not, but that has nothing to do with its quality. So do I recommend it? Definitely. It's a fantastic film all around: the acting, the visuals, the music... it's all superb, and I totally agree with the accolades it has been receiving.


Royale With Cheese

(P.S. That rating is more on scale of the quality. I wouldn't even give it a Whoa, as it's definitely a 5-star film. It's going back to that difference between favorite and best. So now we wait for Anonymous to comment.)

ALICE IN WONDERLAND.

I tried going last weekend, but it kept being sold out. So I went this weekend instead. And my showing was still relatively full, but it didn't get that way until right before the movie started, so it was easy enough to get it early. Anywho... let me prelude by saying I have no deep connection or obsession with the original cartoon movie or the source material. I also do not obsess over Tim Burton, though I do enjoy (most of) his movies. And it didn't bother me in the slightest that this one followed his formula: Johnny Depp, Helena Bonham Carter, twisted designs, and black and white juxtaposed against brighter colors. In other words, what every other movie blogger/review has been bitching and moaning about for the last year hasn't bugged me whatsoever. In fact, most reviews I've read have focused on the fact that it's Tim Burton being Tim Burton, while I looked at the movie purely as a movie and not as a "Tim Burton" movie. That being said, let's get into it.

This film acts like a sequel of sorts where Alice (Mia Wasikowska) is grown up and about to be proposed to by a Lord. But when she runs off to go think about it, she falls down the rabbit hole yet again. Despite growing up with strange dreams of Wonderland, she doesn't recognize any of it and can't figure out what to do, which causes some of its bizarre characters to wonder if she's truly "the" Alice. You see, Underland (not Wonderland) has been taken over by the tyrannical Red Queen (Helena Bonham Carter) because she controls the dangerous Jabberwocky. But it is apparently Alice's destiny to regain the Vorpal Sword, return it to the White Queen (Anne Hathaway), and become the champion that will slay the Jabberwocky and return peace to Underland. To help her are some memorable characters including, but not limited to, the Mad Hatter (Johnny Depp), Tweedledee and Tweedledum (Matt Lucas), the Cheshire Cat (Stephen Fry), and Absolom the Blue Caterpillar (Alan Rickman). Other actors to grace this film include Crispin Glover, Michael Sheen, and Timothy Spall.

There's not a whole lot to say about the movie. Let's start with the positive. Visually, the movie is magnificent. There are a couple issues here and there, but for the most part, the CGI is wonderful to look at. The story itself is also interesting, though there are a couple logic holes here and there. For instance, if the Cheshire Cat can evaporate and do whatever he wants, what stops him from just destroying the Red Queen himself? He's already damn near invincible. Also (bit of a spoiler here), there's kind of a leap of faith to take that the Bandersnatch will change sides just like that (end spoiler here).

Acting-wise, it was about half and half. Mia Wasikowska does pretty good as Alice, and Johnny Depp, Stephen Fry, and Matt Lucas are the next stand-outs. In fact, I really only had three issues with certain characters. First was Crispin Glover's character. Something about how he moved really irked me and just came off as overly fake, like they weren't done with the CGI but released the film anyway. I really didn't care for that character overall. The next big issue I had was with Anne Hathaway. I don't know whether to blame Hathaway or Burton, but the way the character was portrayed was just... stupid. It was overly regal and just plain silly. Her hands wear always up like a drunken T-Rex, and she had to flow about and spin around to make any kind of basic movement. It was all incredibly annoying to watch. Luckily, though, she's not in the movie all that much. The last little irksome bit was actually with Depp. I'm sure it was to help portray his character as, well, mad... but his constantly changing accents bugged me. Sometimes he'd be British, sometimes Scottish, sometimes... well, who knows? It was more of a subtle thing, but it still bothered me a bit.

Those were actually my biggest issues with the movie. It didn't blow me away, but I didn't hate it. The visuals were outstanding, and most of the acting was pretty well done. The story was engaging, though it did start to drag a bit near the third act. I just wanted to get on with the battle already. Again, I'm not sure how one would take it if you're an Alice fanatic or if you have a bias against Burton for being too similar in all his movies, but if you aren't those types, then I'm sure you'll find it at least pretty good and enjoyable.


I Am McLovin!

(P.S. The 3D aspect of it was pointless. Besides maybe a couple scenes here and there, there wasn't any point to having it in 3D).

2 In 1: Sweeney Todd and Little Shop of Horrors.

If you can’t figure out the theme for this 2 In 1 just from knowing something about either movie, it’s a theme of romance, dark comedy, singing, and murder. That’s right! The dark romantic musical comedies of death and murder! Or something like that. Anywho, as stated in the title, I finally got around to seeing Sweeney Todd, and I’m pairing it up with one of my favorite movies growing up, Little Shop of Horrors. So here we go!

Sweeney Todd: The Demon Barber of Fleet Street.

Sweeney Todd is a revenge story about unrequited love with almost every character in the movie (at least the love part). And it stars at least a good fourth of the cast of the Harry Potter movies (okay, so that’s an over-exaggeration… but seriously, you could probably combine this movie with Gosford Park, and you’d have practically every important adult role in Harry Potter). But anyway, to the film: Sweeney Todd (Johnny Depp), once Benjamin Barker, is a scorned barber whose wife and baby daughter were stolen away by an evil Judge (Alan Rickman) and his ambiguously gay sidekick (Timothy Spall). Over the years, he plots revenge before finally coming back to London to exact it. He meets Mrs. Lovett (Helena Bonham Carter), a meat-pie shop owner, and together they work together to help exact Mr. Todd’s revenge on those who have wronged him.

I have to say that the first half of the movie almost lost me. The music wasn’t overtly catchy (with a couple exceptions), and it was just kind of bland (no help to Tim Burton’s drab coloring scheme). But then the second half of the movie picks up once Sweeney loses it completely and goes utterly insane. The song immediately after that part, the one about how to get rid of the bodies, has to be my favorite from the movie. It was darkly hilarious and reminded me of something Stephen Lynch would sing. So yeah, the second half was much better than the first half.

On the subject of the music, the songs were either hit or miss—hit being the previously mentioned song, miss being the one and only song (albeit a short one) Timothy Spall attempts toward the latter end of the movie (unless I forgot another, but I think that was it). Some were catchy, some were just plain good, and some were either too weird (like Sacha Baron Cohen’s song) or too boring. And as the movie is almost entirely nothing but singing, that means the movie is really either hit or miss at times.

I think acting-wise, everybody did a really good job, even Sacha Baron Cohen (after I got over the weirded-out phase). Depp is brilliant as always, and Carter and Rickman were equally as good. Timothy Spall bugged me the most, but I think that was just the character, not his acting. He was just… odd. But the kudos’ for this movie go to the young Ed Sanders who played orphan-boy Toby. He did really well, especially the emotions on his face at the end of the movie.

Of course I have to mention the visuals. I sustain my thoughts that I had prior to seeing the movie: what was bleak and gray was very bleak and gray; what was bright and colorful was very bright and colorful. There was no in-between, and the majority of the movie had grays and blacks (and the occasional white to show off the blood red).

I’m not sure what else to mention about it. I think those were really all my major thoughts. The movie was pretty good, but it could have been better. Though, also to help me boost the score up to the point I do is not only because there were parts able to keep me on my toes, but I was caught off guard at the end with a twist I wasn’t expecting. I love it when movies can do that. It always makes me appreciate the movie more. And I really do appreciate what this movie did, even if it was disturbing (though I might have enjoyed it more had I not watched it with my mother, who was complaining about the blood and such for the entire last half of the movie).

I Am McLovin!

Little Shop of Horrors.

Back in 1960, Roger Corman made a cult classic in two days using left-over sets and such from a previous movie he had finished early (with a cameo by a very young Jack Nicholson). Years later, it was turned into an off-Broadway musical, which would later be adapted by Frank Oz and Howard Ashman into the 1986 musical extravaganza! Seymour Krelborn (Rick Moranis) is a skid-row orphan working under Mr. Mushnik (Vincent Gardenia) at Mushnik’s floral shop. He’s desperately and longingly in love with co-worker Audrey (Ellen Greene), but she’s shacking up with abusive and sadistic dentist, Orin Scrivello, DDS (Steve Martin). But after a total eclipse of the sun, Seymour discovers a fly-trap-esque plant and takes it in. He names it the Audrey II, and it immediately brings instant success to the bankrupt shop. But then Seymour discovers a deadly secret: the plant can only survive by drinking blood. So he feeds it his own blood until it gets too big and starts talking (voiced by Levi Stubbs of The Four Tops), requesting that Seymour go out and kill people to feed him.

This movie was my favorite growing up (which explains quite a lot, really). I’ve watched it an uncountable amount of times, and I know the words and lyrics backward and forward. It’s dark, it’s funny, it’s romantic, and it’s scary. This movie still creeps me out at times, and I hate being around plants in the dark. The one specific scene that will never ever stop scaring the crap out of me is toward the end when Audrey II calls up Audrey (who lives right across the street) and sings to her. Audrey slowly turns to her window and sees this enormous plant staring and laughing at her from across the street. God, just thinking about that scene creeps me out.

The singing is done very well, and Rick Moranis really has some pipes in him. Great voice. Really, every song is a classic with me, even if they aren’t my favorite (such as the more romantic ‘somewhere that’s green’. However, after I heard about the original ending and the irony around that song and its original purpose, I came to appreciate it much more).

And speaking of the ending, this movie has one of the most famous stories in cinema. They shot the original ending, the one taken from the stage play, where everybody dies and the plants take over the world, but it did poorly with test audiences. So they spent millions of more dollars to film a happier ending just to please the audience. That’s Hollywood for you. But I’ve seen the original ending, as well, and it’s pretty creepy (though the last frame of the happy ending is creepy in itself, too).

And this movie is cameo-central. There’s Bill Murray as the pain-loving dentist's patient (originally played by Jack Nicholson in Roger Corman’s version), and he has, hands down, the funniest scene in the entire movie. And he and Steve Martin improv’d the entire scene. Hilarity. There’s also Christopher Guest, John Candy, and James Belushi (also, as I just realized, for another Harry Potter reference, Miriam Margolyes is also in the movie (she was Professor Sprout in the first two HP movies)).

I really don’t know what else to say about this movie. I love every inch of it. I really recommend it to people who like musicals, dark comedies, or just anything twisted in general. It’s great fun (for the whole family!).

Royale With Cheese