Showing posts with label harry potter. Show all posts
Showing posts with label harry potter. Show all posts

11.20.2011

Harry Potter... Meet Oscar?

For the upcoming Oscars, there has been one film that has been on everybody's lips--whether they're talking about the film will definitely be there or there's no way in Hell it'll be there. That film is Harry Potter and the Deathly Hallows Part 2. And as quite a known HP enthusiast, I feel I should give my serious thoughts on the subject.

Now, the biggest argument that is pushing for the films winning is that it's the biggest (and most profitable) film series in history and should be acknowledged as such (such as Lord of the Rings was with Return of the King). Detractors, on the other hand, have said that LOTR was one film with one vision (and that also ROTK was deserving in and of itself), and HP is a series with multiple directors, multiple visions, etc. You could argue that David Yates' films have been the best of the series anyway (shut it, Cuaron fanboys!). Even if you don't agree with that, you could mix Deathly Hallows Parts 1 and 2 together and have a one film/one epic/one vision push as it was with LOTR. Yet detractors will come back and say LOTR were all picked up by the Oscars, whereas the Harry Potter films were not. So I want to take both sides into account.

Believe it or not, I'm not going to be a stringent pusher or detractor. I want to take a serious look at each possibility that Warner Bros. put up For Your Consideration and have a discussion. I'm not here to make Oscar predictions for other films (I refuse to mention any other possible contenders in this article). I would just like to spend a wee bit of time on whether or not what WB is pushing for is actually going to happen (or if I think it should happen). So let's get into it.

BEST ORIGINAL SCORE

Alexandre Desplat gave an amazing, haunting score for both Parts 1 and 2. I think that, at the very least, it should be nominated. It's an amazing score. It's hard to say it should win based on the "Epic Series" argument. Like with the directors, the films have had many different composers. Granted, David Yates is known for taking the best of everything from the previous films and mixing it in with his own vision to help with the continuity. The score is one of those things. To top it off, all the films have, at the very least, used John Williams' "Hedwig's Theme," which is now an iconic bit of scoring in and of itself. You could argue that Hedwig's Theme is the one bit that an "Epic Series" win could definitely cover (but you could also argue how fair that would be to John Williams, who was actually nominated back in the day, but didn't win). Though at the very end when the theme swelled, got extremely loud and incredibly close to my heart, it did bring back memories and nearly brought tears.

So it just comes back to Desplat. I do feel his score is strong enough to be nominated. Will it win? We'll have to wait and see what else is nominated. But for right now, I do think it can be a contender.

BEST CINEMATOGRAPHY

Deathly Hallows (both films) are two of the most beautiful films in the entire series (shut it, Cuaron fanboys!). Eduardo Serra has an amazing eye. You can't argue that, no matter how you feel about the series, that these films don't look pretty damn good. Again, you can't use the "Epic Series" argument for this category, as there have been multiple cinematographers, and all of the films aren't necessarily worthy of it. In fact, I'd only say half are (Azkaban, Half-Blood Prince, and Deathly Hallows 1 and 2... and the only one of those actually nominated is Half-Blood Prince). So it would be up to the (2) film(s) itself.

Now, Deathly Hallows Part 1 wasn't nominated for Cinematography (which I feel was an upset), so what is the likelihood Part 2 will be? Part 2 gives us a lot of carnage, though that might not be enough visually. Maybe they were waiting for the second part to honor both at the same time through the latter half. Like the previous category, I think it deserves to at least be nominated... but will it win? There have been some strong contenders for this category this year, but I can see this getting a nomination easy.

BEST ADAPTED SCREENPLAY

Is any other category more worthy of a win than this one? First of all, it's based on one of the biggest young adult series' of all time. And despite how you feel about Steve Kloves' adaptation skills, he is one of the Top 3 that helped to bring these films to the screen (the other two being Stuart Craig (production designer, who is truly the artist of these films) and David Heyman (executive producer)). Only one other person came on as writer through the series (Michael Goldenberg - Order of the Phoenix); though some may argue that that one was one of the best. Regardless, if the Academy is going to give it a win for the "Epic Series" argument, it will be in this category. It maybe has 2 strong possible contenders.

Does it hold up as a film adaptation in and of itself? Taking out the "Epic Series" argument, this film might suffer. It's the second half of a 2-part film, and most have argued that not only does it have a strange opening because of this, but the epilogue ending (despite coming straight from the book... I mean, look at the descendants' names alone... Albus Severus, Scorpius, Teddy, Hugo, etc.) isn't strong, either. I honestly don't believe, however, that it will be nominated simply for itself.

There is absolutely no way this film will not get a nomination. There is perhaps a female with skin ink-related film that could upset it; however, I think that this, over any other category, will give the movie its win. But it will be close.

BEST SUPPORTING ACTRESS

There are two up for this category, and I can make it through this one pretty fast.

-Helena Bonham Carter (Bellatrix Lestrange)

No. Ain't gonna happen. Despite the fact that HBC is a perfect choice for the role, it's not a Oscar-worthy performance. At all. Sorry. It's probably not even going to be considered for a nomination.

-Maggie Smith (Professor McGonagall)

Had the film series included McGonagall to the degree the books do (she's a total iron lady with a heart of gold), there could be a possibility of nomination. Maggie Smith is great in the part (not to mention she's awesome in the final film), but her film inclusion is so miniscule that it's really not worth a nomination.

BEST SUPPORTING ACTOR

This is going to be a tough one for me, personally. Again, there are two up for consideration. But are they worthy?

-Ralph Fiennes (Voldemort)

Fiennes is a fine actor (no pun intended), but Voldemort is a little too over-the-top and silly to be considered. I truly can't see this happening.

-Alan Rickman (Snape)

This is the tough one. Sure, people make fun of his long, slow speech with pauses. But Snape is one of the greatest literary characters in modern history, and Rickman portrays him brilliantly (again, despite not being given adequate screen time in comparison to the books). It's become famous that JK Rowling told Rickman about Snape's secret, which could have been a dangerous method of getting what she wanted out of him (due to trusting him in keeping it for a decade), but it led to a perfect performance. Though if we're looking at the films, Rickman is at the top of his game in Part 2, and he could be nominated for The Prince's Tale segment alone.

Should he win? Probably not. But I think Rickman should get a nomination for his role over the last 10 years, culminating into a fantastic set of flashbacks in the final film. Will the nomination actually happen? I doubt it. But I would love to see it.

BEST ACTRESS

Only one on this list, and it's pretty obvious who.

-Emma Watson (Hermione Granger)

No. Of the Trio, I think Watson is the weakest. I actually think she captured Hermione perfectly in the first two films, then became pretty rough in the middle films. She was better in Half-Blood Prince and actually pretty excellent in both Deathly Hallows. But while her performance is quite good in the last two films, it definitely isn't worth an Oscar nomination.

BEST ACTOR

Again, the obvious two choices are here... and I'm going to have a similar opinion.

-Daniel Radcliffe (Harry Potter)

If Radcliffe were to be nominated, it would be for the "Epic Series" argument. However, I doubt it will happen. There are too many other excellent performances this year. Sorry.

-Rupert Grint (Ron Weasley)

Grint is the best of the Trio, I feel, but if Radcliffe isn't getting a nom, there's no way Grint will, either. Again, sorry.

BEST DIRECTOR

David Yates has directed half of the entire series. In this blogger's opinion, his films have been the best (shut it, Cuaron fanboys!). But there are seemingly thousands of other strong contenders this year that it would be miraculous for Yates to get a nomination. I mean, I suppose it could be possible. Everything's possible. But with a category of only 5 spots to fill, the only reason would be to fill the spot for the "Epic Series" argument.

Would it be fun to see? Yeah. But even if he got a nomination, there's no way he'd win. And I don't think he'll even get the nom. And this just leaves one more category.

BEST PICTURE

This has been the most talked about category over the past year. Will it received a Best Picture nomination? On top of that, will it win? The sole argument for not only its nomination, but its win, is the "Epic Series" argument. I honestly have no clue. I would like it to be nominated. I doubt it would win, but I'd like to see recognition here. I'm just not sure, based on everything I've talked about, if the "Epic Series" argument is enough to drive the nomination.

But who knows? I guess I'm just with everybody else. There's a 50/50 chance.

11.22.2010

Podcast: The MatineeCast #24.

In what's been quite a long-time coming, I finally guested on the podcast for Mad Hatter's Dark of the Matinee movie blog. We discussed--what else?--Harry Potter and the Deathly Hallows: Part 1.

Hatter has apologized to me a few times since, saying he caught me off guard and that he kind of took over the episode, not allowing me to talk much. It's OK, Hatter. I had fun!

In this episode, we start off with Hatter asking me some questions to let the audience get to know me a bit. Then we start talking about favorite actors and which ones can get us to go see a movie (or... can actors really do that much these days?). Then we get into our discussion of Deathly Hallows Part 1 before wrapping up with our Top 5 lists of our favorite "magic" movies.

It was a good time (regardless of being caught off guard :P), so check it out! I can't figure out how to embed his player, so go check it out in his post here.

11.20.2010

The Exhaustive List Of The Harry Potter Books Versus The Films.

NOTE: There be spoilers for the books and films ahead.

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On the day after the release of Deathly Hallows Part 1, I would like to discuss the previous installments. I did something similar right before Half-Blood Prince came out, where I gave my Top 10 Worst Things About Harry Potter Films 1-5. Like before, this post will largely be comparitive to the books, and I'll just be talking about the ones already out on DVD (i.e. the first six). Also, a couple things from that list might overlap with this post, but I'll try to keep it mostly new.

I was originally going to make a Top 10 Characters Cut From The Harry Potter Films, and then a list of way they could have made the films better, but I felt this particular post would get more accomplished, including everything I would have said on those list. We all know, especially the book readers, that these aren't all perfect adaptations, nor are they perfect movies. Certain things could have been done differently in the films to improve them. This post is going to chronicle the biggest differences between the books and the films and what could have possibly made the films better. So here we go...


YEAR 1: HARRY POTTER AND THE SORCERER'S STONE


Chris Columbus had a lot on his hands when he set up this series. He had to find kids that might be good actors both now and later and that would grow into their roles. He had to make everything seem magical and wonderful. He had to keep in all the important stuff that would set things up for later. And, most importantly, he had to make a good adaptation. Did he succeed? For what he was given, I think so.

CONTINUITY

-There are no series continuity errors since this is the first film.



NOTABLE EXCLUDED CHARACTERS

-Peeves the Poltergiest. Peeves was actually casted and filmed, but all his scenes were never finished in post, because they decided to cut him out of the movie. It's a real shame, too, considering they could have really used him later. Even if they just had him in one or two short scenes (i.e. Kreacher in Order of the Phoenix), they could have always brought him back. But no, we didn't even have that luxury.

-Bane and Ronan. These are centaurs that get angry with Firenze late in the movie. They become slightly more prominent in the later books, at least in the background (specifically Order of the Phoenix).

-Professor Binns. He's the ghost professor for History of Magic. He's not really an important character, but some interesting scenes have happened in his classes later in the series. Oh, and their textbook is written by Bathilda Bagshot, who is incredibly important come the seventh book.

-Narcissa Malfoy. That's right, Narcissa (Malfoy's mother) was actually first introduced in this book, whereas the movies would have you to believe you never met her until the sixth. She doesn't do a heck of a lot, though, so it's understandable why they cut her.

-Madam Pince. She's the mean librarian. None of the movies have shown her (I believe), though the library has been used throughout the films. Again, not a major character, but a fun one.

PLOT

-I don't think I can make any complaints plot-wise. It did everything the first book needed to do. It didn't leave out anything major that I can think of. The only thing I might mention is the lack of a few "levels" when the trio is going after the stone at the end. There's are at least 2-3 missing protection rooms, but it's understandable why they were removed.

SETTING UP FOR LATER

-Again, the only real thing that wasn't set up that I would have liked to see set up was Peeves.

MISC.

-Chris Columbus' biggest problem with his Potter films is his visual style. Everything is primary colors... green, red, and gold being the biggest. It's so bland and boring to look at, especially in comparison to the later films. And when you do a near page-for-page adaptation of a book, but you don't give us an appealing visual style, you're not gonna have a lot of repeat viewings.

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YEAR 2: HARRY POTTER AND THE CHAMBER OF SECRETS


The second film is considered by many to be the worst, especially considering the drop in ticket sales for the third (the third film is the least selling Potter film of the series). I don't consider it the worst. Yes, it's long... and yes, there could have been things done better. So let's see what those things are...

CONTINUITY

-As Chris Columbus continued with this movie, there aren't any major continuity issues yet.

NOTABLE EXCLUDED CHARACTERS

-Pretty much every new character was introduced... Lucius Malfoy, Dobby, Cornelius Fudge, Fawkes the Phoenix, Ginny (though she was introduced in the first), Arthur Weasley, etc.

PLOT

-There actually is a plot hole issue in the movie. There's a big subplot that ends up tying in to the main plot, but it's barely even glanced over. This subplot is Ginny having a huge crush on Harry. After Lucius slips the diary into her cauldron, Ginny begins writing to Tom Riddle about Harry. She explains everything about him. As this was just a memory of a young Tom Riddle, he didn't know about Harry Potter or what had happened between them. Ginny tells him all of this. Because of this, Tom becomes very interested in Harry, so that when Harry ends up with the diary, Tom messes with him and eventually tries to get him down into the Chamber of Secrets so that he can come back to life (this gets into Horcruxes, which isn't explained until the sixth). But none of this is explained, so there's a plot hole of how exactly Tom knew about Harry in the first place.

SETTING UP FOR LATER

-Everything is pretty much set up nicely in this one... from the Polyjuice Potion to Dobby to the diary... and everything in between. I don't think there's anything that was left out of this movie that would mess with later installments.

MISC.

-The ending is way too schmaltzy and cheesy. There is no way every single house would know or even care that Hagrid came back from Azkaban, much less all cheer for him and whatnot.

-The movie is incredibly long (the longest to date), but I honestly can't think of what could be cut out. The Quidditch match could be shortened, and the stuff at the beginning with the flying car and all that could have been shortened. Even the spiders/Aragog sequence could have been cut down just a tad. I don't think any scene could have really been removed, but maybe just shortened. There were quite a few scenes that just went on a little long.

-Again, Columbus' visual style is just dull.

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YEAR 3: HARRY POTTER AND THE PRISONER OF AZKABAN


I rag on this movie a lot. Y'all know it. Most of y'all disagree with it. I treat it as if it were the worst film in the series. But, believe it or not, I don't actually think that. I think it made the biggest and most grievous errors in its translation to the screen, but I don't think it's the worst actual film. Let me start off with the good, however.

Alfonso Cauron gave the series a much-needed overhaul visually. Chris Columbus was just boring stylistically. He also made it much darker, though to be fair to Rowling, the series did start taking a darker turn around this book (though didn't do a full flip until the end of Goblet of Fire). So in those regards, he did fantastically.


That being said, let us start with our first category:

CONTINUITY

-Cauron moved the Whomping Willow from its location in Chamber of Secrets.

-He changed the grounds of Hogwarts (though I actually like this change).

-He moved Hagrid's hut a considerable distance.

-He changed the actors playing both the Fat Lady and Tom the Barkeep. Granted, he also changed Dumbledore, but that wasn't really his fault considering Richard Harris died. What is his fault, however, will be discussed a little later (you already know).

-Along with changing the Fat Lady actress, he moved her portrait and, thus, the entrance to the Gryffindor common room. It makes no sense to put it in the middle of a staircase. Put it back where it belongs.

-OH MY GOD WHAT THE HELL HAPPENED TO FLITWICK?! Besides the obvious complete makeover, he's been turned from the Charms professor to the choir teacher. Right.

NOTABLE EXCLUDED CHARACTERS

-Sir Cadogan. He was a knight in a painting that bugged the trio throughout. He's actually in the movie, so he's not completely excluded. You can see him in the background during the Fat Lady scene. But any scene of worth that he should be in was filmed, but inevitably left on the cutting room floor. Overall not an important character, but would have been nice to see.

-Oliver Wood. He was in the previous two films as the Gryffindor Quidditch Captain. But really, Prisoner of Azkaban is his shining moment. This was his last chance to win the Cup, and he has a pretty decent-sized role in the book. But they cut out all the Cup stuff in the movie. I wasn't too perturbed by it, though. It just would have been nice to see him again in his big moment.

-Cho Chang. She's actually introduced in this book, but it's within the Quidditch subplot that was cut. We start seeing Harry's crush on her here.

PLOT

-This is where the movie loses me. The movie removed the entire purpose for this story existing. The first, of course, belonging to the removal of the Marauder's Map explanation. Lupin could have easily explained it before he left. But not explaining it leaves a few plot holes in the film, not to mention leakes over into future continuity errors.

-The second is one of the reasons Snape hates Harry: James saved Snape's life after a prank goes horribly wrong. It's also one of the first times you see James as a little less than perfect.

-How exactly did Sirius escape Azkaban, again? Oh, right, he noticed Scabbers/Peter Pettigrew in the Egypt picture that is tossed in at the beginning of the movie for no apparent reason. He knew he was at Hogwarts because the article discussed Ron being a Hogwarts student. Then he changed into a dog, which the dementors couldn't sense, and was able to sneak away and hop into the surrounding water and swim to shore.

-But Nick, you ask, why don't all of the prisoners just turn into animals and escape? Well, reader, it's because Animagi are rare, and not everybody can do it... another bit of plot information not shared.

-And if Peter did the killing and betrayal, why, exactly, did everybody (including his closest friends) think Sirius did it? Well... that's explained in the next section.

SETTING UP FOR LATER

-Fidelius Charm. There's a spell known as the Fidelius Charm, or the Secret Keeper spell. Basically what it does is hides a certain location from anybody being able to find it. Only one person can divulge its whereabouts. This person is known as a Secret Keeper. When Voldemort started to go after Lily and James, Dumbledore hid them at Godric's Hollow. The Fidelius Charm was put on their house. They were originally going to go with Sirius as the Secret Keeper, as he was James' best friend. However, at the last minute, they decide to give it to Peter (without telling anyone), as he would be less obvious. Peter, the scared rat he is, gives the location up to Voldemort. Sirius hears of this and goes after him, but it's too late. And to escape, Peter cuts off a finger, blows up a few muggles, and escapes, leaving Sirius to take the blame. None of this is explained in the film, leaving somewhat of a plot hole. However, it also leaves a few things unexplained for later movies. The Fidelius Charm isn't explained here, so it can't be used later without much confusion (such as Grimmauld Place, where they had to change its introduction up a bit).

-Moony, Wormtail, Padfoot, and Prongs. I mentioned the lack of explanation for the Marauder's Map earlier, but here's a big issue that stems from it. Due to this lack of explanation, Harry should never know that Moony is Lupin, Wormtail is Peter, Padfoot is Sirius, and Prongs is his father. This is particularly confusing come a couple lines in later movies (such as calling Peter Wormtail in any of the future movies or Harry saying "He has Padfoot" in Order of the Phoenix).

MISC.

-Remove the slapstick, particularly from the Knight Bus segment.

-Remove the silly talking shrunken heads.

-Shorten the time travel stuff... it's seriously half the movie. I always describe it as "OK, now that we've watched the last 40 minutes, let's do it all over again, but from a different perspective!" I know the time travel stuff is in the book, but it seriously does not take that much... time.

-Remove and/or shorten the seasonal interludes. I know this was done for the whole "time" theme, but they add nothing and take time away from other things.

-Make it less obvious that Scabbers is a plot device in the movie... and explain why Crookshanks is after him.

-Give Hermione back her nerdy look. This is the movie where they started sexing her up, which totally takes away from the big Yule Ball reveal in Goblet of Fire.

-Cast somebody else besides Michael Gambon as Dumbledore. He was a hippy in this one, a psycho in the next one, and almost good in Order of the Phoenix (except for one or two moments). Though I thought he was pretty dang good in Half-Blood Prince, so I'll give him that.

-He's become affectionately known as RBK... that is, Random Black Kid. He apparently belongs to Gryffindor house in the same year as Harry. If they wanted to give stilted lines to a black student in Harry's year, just give it to Dean Thomas. He's horribly underused in the films as it is.

-Freeze frame blur? Really?

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YEAR 4: HARRY POTTER AND THE GOBLET OF FIRE

So, Nick, if the critically panned Chamber of Secrets or your personally panned Prisoner of Azkaban aren't what you think are the worst film of the series, what is? Well, dear reader... this one. It does a couple things right, and even one thing amazingly well (the Graveyard scene), but everything else is just so... rushed. It's the first "big" book of the series. They also were tempted to split it into 2 films. But Alfonso Cuaron talked them out of doing it, despite him not coming on to direct the installment. It probably would have been a good idea.

CONTINUITY

-Wormtail? Why are you calling Peter Pettigrew Wormtail? Oh, that's right. You didn't explain that in the last movie, and you're not bothering to do it in this one, either. So let's just toss it in and see if any non-book readers get confused.

NOTABLE EXCLUDED CHARACTERS

-Fleur Delacour... what? She might as well have been. OK, fine... ignore this one.

-Bertha Jorkins. There's an entire subplot about a Ministry official named Bertha Jorkins that goes missing, though they think she just got lost because she's really ditsy. Her characters' entire purpose was how Wormtail got Voldemort at least partially alive and into his little weirdo baby form.

-Ludo Bagman. There's a red herring subplot involving Ludo Bagman and the Weasley twins. You're meant to think it was Ludo who put Harry's name in the Goblet, but it just turns out Fred and George won a gamble against Ludo and he paid them in fake money, but he wouldn't meet with them to pay up.

-Dobby and Winky. Yup... believe it or not, Dobby comes back after the second book (and prior to the 7th). He reappears in Goblet of Fire working in the kitchens of Hogwarts as a free elf. Winky is a house elf that belongs to the Crouch family at the beginning, but they free her (much to her chagrin), and she's put up in the kitchens, as well. Her distress (and drunkenness) sets off Hermione to start up one of the more annoying subplots of the book series--S.P.E.W., the Society for the Promotion of Elfish Welfare. But most of Dobby's point in the book was handed off to Neville (who also took this position in the next film, as well).

-Bellatrix Lestrange. Bellatrix is first introduced in the Pensieve scene. In the movie, we just get Karkaroff. In the book, we get a few different prisoners, including Bellatrix, who is the one to admit to torturing Neville's parents along with Barty Crouch Jr.

-Bill Weasley. He has a short scene as a judge during the first task, but it's an important scene due to Fleur and, well... what you'll see in the seventh film.

-Peeves. He has a good suspense scene in this one, but as he was never introduced, he couldn't be in it.

-The Dursleys. Yup, for the first time in the series, Vernon, Petunia, and Dudley were cut from the films. This was a funny one, too, as the Weasley's come to pick up Harry so he can stay at their place for the rest of the summer. Well, they come via Floo Powder, but after the letter fiasco from the first book, the Dursleys sealed up their fireplace. After literally breaking into their living room, the Weasleys totally freak out the Dursleys... not to mention Fred and George slip Dudley some Ton-Tongue Toffee, which makes his tongue grow to an obscene size.

PLOT

-There's so much that it buggered up that it's hard to remember everything. Let's start with Rita Skeeter's shortened role. There was a huge subplot with Rita and how she was getting a lot of information for her column. As it turns out, she was an unregistered animagus spying on them as a beetle. Hermione uses this as blackmail later, but we'll get to that.

-Why was so much time spent on the Yule Ball? That was one mere chapter in the book, and it takes up a huge chunk of the movie.

-They could have easily cut down the dragon challenge. There would be no way they wouldn't enchant the chain so that it can't break. There would be no way they would let a dangerous dragon chase Harry Potter of all people across the school where they can't keep an eye on him or protect him, especially since he's not even supposed to be involved. It makes no sense on any level.

-They really changed up the maze challenge. The book had sphinxes and giant spiders and all sorts of nasty things.

-Speaking of the maze, Krum had the imperious curse on him. The point of said curse is that nobody can tell you are cursed and they can make you do whatever they want. So why did they have to fog up his eyes? That takes away the point.

-The death of Crouch Sr. was so boring as compared to the book. In the book, his body goes missing and you find out later that he was killed and then transfigured into a bone so they couldn't find him as easily. But I guess they needed immediate reactions.

-In the book, Crouch Jr. gets the Dementor's Kiss and loses his soul. In the movie, he's just sent back to Azkaban. During the Azkaban breakout later on, that would probably put Crouch Jr. up there as Voldemort's right-hand man due to his success. Yet, he's never heard of again. I smell a plot hole!

-What the hell, Mike Newell? No Quidditch World Cup? Not even a few glimpses of it? Pfft... fine then.

SETTING UP FOR LATER

-Priori Incantatem. I could forgive a lot of this movie had they not screwed this up. Visually, it looks wonderful and the scene in the graveyard works great. However, Dumbledore doesn't explain WTF happened... at least in the movie. And this is hugely important for the final book. Voldemort and Harry's wands share the same core--a phoenix feather from the same phoenix (Fawkes). They're brother wands, which means they can't fight against each other. When they try, Priori Incantatem happens, where the "beams" crash and whatnot, and figments of previous spells show themselves in reverse order. They almost definitely need to have this explained in Deathly Hallows Part 1 (Update: They pretty much do... not referencing Priori Incantatem, but referencing how they can't use their wands against each other).

-Hermione blackmailing Rita. Because the animagus thing is never visited, neither is Hermione holding it over Rita's head. Because this happens, the most important news article in the whole series can't be written in the next film.

-No Bill Weasley. Because there's no Bill, Fleur can't exactly meet him...

-Where's the prize money? Since Harry didn't get any prize money for winning the tournament in the movie, he couldn't give it to the Weasley twins. Therefore, they have no money to start making Weasley's Wizard Wheezes products, nor any money to start up the store by the sixth film.

MISC.

-What's with the random, no-point-to-it scene of Karkaroff going into the Great Hall just to check on the Goblet? It's obviously a red herring, but once you take that factor out, there's no real reason for him to be doing that to begin with.

-Could they have made it any more obvious that Crouch Jr. was disguised as Moody with the whole tongue thing? What the hell was that all about?

-Speaking of Moody, what's with the strap? Moody has no strap for his eye!

-Completely random, but it's always bugged me that at the end of the Malfoy, The Amazing Bouncing Ferret scene, Moody's walking stick goes from crooked to straight between frames.

-Nigel. Oh, Nigel, Nigel, Nigel... couldn't they have just re-casted Colin Creevey? Or introduced him as Dennis, Colin's little brother? Oh well... I guess Nigel has just become a brand new character for the films.

-This was the book where Harry really began to connect with Sirius. In the movie, Sirius has one (really poorly done) scene, and that's it. That kind of leaves it up to the next film to set up their relationship.

-ANGRY DUMBLEDORE. WHY?

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YEAR 5: HARRY POTTER AND THE ORDER OF THE PHOENIX


Oh, the introduction of David Yates. Yates seems to split people. Some think he's ruined the Potter films. I think they're crazy. I personally think Yates has made the best Potter films of the bunch. In fact, he managed to turn the longest, clunkiest book of the series into the shortest film, and tell it pretty straightforwardly at that. But does it have issues? Sure... let's get into them.

CONTINUITY

-I actually think one of Yates' strengths is his brilliant eye for continuity. He's brought back things from every film, from the clocks and lock-down mechanisms in Prisoner of Azkaban to the moving staircases in the first two films and more. That being said, there are a couple things I want to bring up. First, it would be animalizing the centaurs. They're very bestial in this film, whereas Firenze wasn't as much so in the first film.

-Second, during the Dumbledore/Voldemort fight, the two wizards have a Prior Incantatem moment. This is impossible. The only way this could happen is if Dumbledore had picked up Harry's wand. For continuity purposes, this makes no sense.

NOTABLE EXCLUDED CHARACTERS

-Frank and Alice Longbottom. There is an amazing scene in the book that takes place at St. Mungo's Hospital where Harry goes to visit Mr. Weasley after his attack. While he's there, he meets Neville, who is there visiting his parents, who are completely mentally destroyed. Neville still gets to explain this to Harry in a scene in the film, but it's not done nearly as heart-wrenching as in the book (all those gum wrappers...).

-Gilderoy Lockhart. Yup, that's right. Lockhart does make another appearance. He's at St. Mungo's while Harry is visiting with the Weasleys. It's a very funny moment right before the heartbreak of Neville's parents.

-Marietta Edgecomb. In the book, Marietta is the snitch, not Cho. She's Cho's friend, but she doesn't agree with Harry or his methods, finally giving in to Umbridge. She ends up having a bad curse placed on her by Hermione due to her breaking the rules of Dumbledore's Army. In the film, Cho is made slightly more sympathetic by having us see it done through Veritaserum.

-Aberforth Dumbledore. Aberforth is technically in the film, but they weren't completely aware it was Aberforth at the time. He's given almost nothing to do but chase a goat out of the room. Of course, his role was recasted for the final film, as it is slightly more substantial.

-Zacharias Smith. I think he was also kind of in the film, but under a different name. He's a total twerp and member of Hufflepuff. He's pretty anti-Harry, but he's a part of Dumbledore's Army.

-Peeves. I would have liked to see Peeves if just for this movie. During the Weasley twin escape, they tell Peeves--who has never listened to anybody ever--to "Give her hell from us." And he solutes them and does so. It's an epic moment that had to be lost thanks to the first film.

-Rita Skeeter. I mentioned her subplot here in the previous film. Hermione blackmails her into writing an article about Harry's side of the story (i.e. Voldemort's return), and they publish it in Luna's father's newspaper, the Quibbler. Of course, Umbridge has it banned from school, which only makes it skyrocket in popularity.

-Dobby. Again, he's in the book helping out Harry from time to time.

-Firenze. After Trelawney is fired, Firenze is hired on to take her position as a permanent sub, basically. He also continues this role in the next book, which causes some conflict between the two characters, having two teachers teaching the same subject and splitting the classes.

PLOT

-The book's Ministry invasion was over 200 pages long and included multiple rooms and some really crazy stuff. The movie's Ministry invasion was... not. They went straight to the Hall of Prophecy and then to the Veil Room. It was already the shortest movie. They could have spent a good amount of time on this climax.

-The office scene at the end of the film is drastically different from the book. It doesn't bother me too much, except for one thing: the prophecy. It's not explained almost at all. And to top it off, they weren't even given the full prophecy. They actually cut out the most important part of the prophecy, the part that would have let Voldemort know who to go after. Without that part of the prophecy, Voldemort has absolutely no reason to know it could be about Harry (and actually, in the books, it could also be about Neville... which was totally removed from the movie, though I can understand why, I suppose). And none of this is explained. All we get is the "one of you must die" and "I love you, Harry."

SETTING UP FOR LATER

-There is actually a Horcrux clue in the book, but it's in a throw-away line during a chapter about cleaning, which... of course... was completely cut from the film.

MISC.

-The reveal of Grimmauld Place is kinda lame, but they couldn't do it totally right due to no Fidelius Charm introduction in the third film.

-Speaking of Grimmauld Place, Sirius' mother's portrait was really toned down to almost nothing in the film, huh? Only a book fan would have even caught anything about it in the film.

-Tonks is given almost nothing to do... poor Tonks.

-Kreacher seems like a throw-away character at this point, again given nothing to do.

-The whole subplot surrounding Percy and his family has been completely dropped, much like the character in general, really. I guess there will be no redemption moment in the final film.

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YEAR 6: HARRY POTTER AND THE HALF-BLOOD PRINCE


This is actually my favorite of the films thus far, but that won't stop me from finding something wrong with it.

CONTINUITY

-I actually can't think of anything wrong with the continuity in this film. It actually fixes previous continuity errors. For instance, Flitwick, who only seemed to be a Charms professor in the first two films and a choir teacher in the rest... is once again referenced as a Charms professor, while doing choir on the side.

NOTABLE EXCLUDED CHARACTERS

-Madam Rosmerta. She had a part in Draco's plan that actually helps tie together a few very minor plot holes left by the film.

-The Gaunts. This is probably the biggest cut of the film. The Gaunts is a pensieve scene where we get to see Voldemort's parents and grandparents, as well as a couple other things.

-Hepzibah Smith. This was another marginal cut in the film for a pensieve scene that ties into another category, so I'll get to it later.

-Professor Trelawney. There's a pretty major scene where we find out how Trelawney was first hired, that she was the one who made Harry's Prophecy, and that Snape was the one that had overheard it and gone to Voldemort with the first half of the prophecy (which is all he had heard). Granted, as they cut out the bulk of the prophecy, it makes it kinda clunky as to what he could have heard to begin with.

-Firenze. I already mentioned why during the previous film's section.

-Dobby and Kreacher. The two house elves appear to help Harry keep track of Draco, as Harry becomes insanely obsessive about Draco's whereabouts and plotting throughout the book.

-The Dursleys. Yup, for the second time in the series, Vernon, Petunia, and Dudley Dursley are absent from the film. And how sad, as this was a funny one. Dumbledore shows up at their house and totally messes with them (mentally and physically). He also has Kreacher appear to see if Grimmauld Place (and Kreacher) belong to Harry or Bellatrix.

PLOT

-So... the Weasley's house burned down, huh? I can see why they added this scene in the film. It was a much-needed action sequence in an otherwise non-action film. Still, I've never decided how much I actually like its inclusion. Mostly, I'm not overly bugged by it.

-A ton of memory sequences were cut. The book has a handful of them. The movie only has about 2 or 3 main ones. I actually kinda miss the memories, as they give us Voldemort's history. And not only that, but they give us insight into the Horcruxes.

SETTING UP FOR LATER

-Due to the cutting and/or trimming of certain memory sequences, the majority of the Horcrux clues went missing. Hepzibah Smith's scene introduces us to one of the possible Horcruxes, as well as the possibility of what the others could be--objects belonging to Hogwarts Founders. What the "Young Tom Riddle" sequence doesn't set up is that Voldemort collects trophies from his most important victims. He sees value in prominent victory. And, like Harry, since Hogwarts was a major part of his life changing and it felt like home, it would be most logical that he'd find objects that belonged to its founders to use as Horcruxes. Of course, Slytherin's locket was introduced, though not as belonging to Slytherin. The ring is introduced, as well, but without the Gaunt sequence, we don't know its significance, either. We also know of his diary, but we don't learn that it was his first thanks to the death of a girl named Myrtle (to later become Moaning Myrtle). In other words, Harry is left to be even more in the dark in the films than he was in the books.

MISC.

-The book doesn't focus on the Half-Blood Prince subplot much, either, though Hermione was more focused on trying to figure out who it was. In the movie, there's almost no curiosity of who it could be. I think if this were played up a bit more, the reveal at the end would have been stronger. There is no explanation in the film why Snape called himself the Half-Blood Prince, as Hermione does explain in the book. Overall, however, there's no real point to that whole subplot besides discovering Snape is a half-blood, so it didn't really bug me that much. It's just slightly strange in the film to go from little focus to "I am the Half-Blood Prince."

-Snape could have reacted stronger to Harry's "COWARD!" That's a huge moment in the book, and the fury from Snape at being called a coward is intense. The movie had almost no reaction to it.

-The movie didn't set up the Inferi... at all, really. The book has a few moments (including a Defense Against the Dark Arts lesson from Snape) about them, foreshadowing the end of the film.

-Speaking of DADA, the book only has one lesson from Snape in it, but the movie could have at least included it.


FINAL NOTES

I'm sure I missed a ton in this. I know for a fact there were one or two things I wanted to mention in here somewhere, but I can't remember what they were. If you have anything else you'd like to make note of, please leave a comment!

11.19.2010

HARRY POTTER AND THE DEATHLY HALLOWS: PART 1.

This review doesn't matter. I know it. You know it. Half the reviews you read will say the same thing. If you're interested in seeing the 7th film in this franchise, no review is going to deter you. If you're a die-hard fan, nothing will stop you. If you're a casual viewer... it might, but it won't. Why? Because this will be one hell of a positive review.

Part 1 of the final installment picks up with the trio of Harry (Daniel Radcliffe), Ron (Rupert Grint), and Hermione (Emma Watson) preparing themselves for what they know is coming. The Order of the Phoenix must transport Harry to safety from his house. Once safely at the Burrow, Harry decides he must leave as soon as possible to find the remaining Horcruxes, the pieces of Voldemort's soul that he must find and destroy before going after the beast himself. Meanwhile, Voldemort is in search of a new wand, as his and Harry's share a core and are technically brothers; therefore, they cannot be used against each other. The trio end up on the road, endlessly searching for Horcruxes and, eventually, anything that can help them destroy Horcruxes. The trip will pit them against Death Eaters, Snatchers, the Ministry of Magic, nature, and even themselves.

This movie is dark. It's not a light movie whatsoever. Yes, there are some light and humorous moments sprinkled throughout, but they're not incredibly common. The stakes are high, and the film shows us this. They say with every installment that it'll be "the darkest one yet." And, sure, it is darker than the previous. But if you were to put this one a scale in comparison to the last two films, it's a good 4 or 5 notches ahead. And this means it captured the book pretty well.

So let's get into how it was adapted and get that out of the way. Obviously, if you haven't read the books or watched the other movies, you're going to be incredibly lost. This movie hinges on the fact that you know the world and its characters. On the whole, this was an insanely faithful adaptation. And why shouldn't it be? It had 2 and a half hours to adapt roughly 2/3s of a book. The other films get that long (or even less) to adapt the entire thing. But is it like the first two films, where it was a bit... too faithful? No. I don't think so.

Because it had this extra time, the movie was able to slow its pace and give us some introspective. This movie is very much a character piece. It's all about how the characters interact with each other. There are entire moments where they stare off silently in deep thought, and you're left to watch the anguish or confusion or hopelessness on their faces. And much more than any of the other movies, there is a lot of intensity to the acting. And by this I mean they don't put all their acting chops on stressing words or what have you, but instead on the subtlety in their faces and expressions.

There is a lot of amazing acting all around, from those who've been around from the beginning to those new to the series (such as Bill Nighy as Rufus Scrimgeour). But the film rests almost completely on the shoulders of Daniel Radcliffe, Rupert Grint, and Emma Watson, all of whom give some amazing performances. I've always felt Emma Watson was the least of the three, but by God does she deliver some amazing stuff in this film... particularly near the end in a scene I won't spoil if you've not read the books.

There is also a lot of heart involved with these characters. You know them inside and out and how they work. You know Ron and Hermione are into each other, and you know that Ron has a jealous streak. So when emotions run high, the slightest things can tear them apart. But at the same time, the simplest things can pull them together, such as a dance with a friend when you're feeling down.

The magic is still there, too, though. It's not all grit and grime. From bottomless bags to flying motorcycles to full-out wizard duels, it's all there and more... including probably every spell that has ever been used in the entire series. Of course, it isn't all happy and full of wonderment, but that's to be expected when you have a movie full of Nazi symbolism, death, and destruction. And yes, there is death. By the time a certain scene comes up, I didn't cry like I did in the book, but I came damn close.

What also helps the film, besides the gorgeous visuals and cinematography, is the music (and lack thereof). I once heard that the best film score is the one you don't realize you're listening to, as it's supposed to sink into the background and become one with the film, only to enhance the scenes--not overtake them. This score does exactly that. But not only is the music great in each scene, but there are a lot of very quiet moments where there is no music. There are fight sequences with nothing but the sound effects. There are the moments of quiet desperation. And those are sometimes even more powerful that those with the enhancing music.

If I were to find any negatives with the film--besides the fact that Part II won't be coming out for another 6 months--would be a couple things that lack explanation. Of course, I know exactly what's going on due to having read the books. But because the past films have lacked certain things, this one slightly suffers at times. For instance, there is absolutely no explanation to the mirror shard that Harry carries around with him through the movie. The marriage of Lupin and Tonks is a mere offhand comment, and her pregnancy announcement is interrupted. The relationship between Bill and Fleur is barely discussed--nobody mentions how they met or anything like that. It just is. It was little things like that which slightly hurt the film, but it's not as much the fault of this movie as it was the previous ones.

Overall, it was a fantastic film. I personally think it was the best of the bunch thus far, and once matched up with Part II, there's no doubt it'll be the best as one film. The visuals are gorgeous, the music is good, the acting is spectacular, the emotions are high, and everything else about this film is fantastic and on a near perfect pitch. It is unlike any of the other films in the series in every way. And I didn't even mention the animated segment that tells the story of the The Three Brothers, which is equally brilliant. Now that I've been rambling on and on, I'll stop. I could go on, but I won't. If you're a fan, you'll be seeing this film regardless of what I've said. If you don't like the series, you probably won't be going to see the seventh installment, regardless of what I say. But if you're a casual fan, have seen the other films, but are on the fence on this one (though I somehow doubt any of you exist), this review is probably for you. Go see it. It'll be worth it.

Rating System.
Royale With Cheese

9.28.2010

Top 5 Favorite Tree Moments.

For those of you not in the know, my LAMBcast buddy James from Cinema Sights loves him some artsy films. There's a running joke on the LAMBcast that he only likes movies with trees. And not just any movies with trees... but movies where the trees are central focus and made to look quite nice.

So in honor of James, I'm going to do my favorite tree moments in films. Probably not all his favorites, but whatever. And you'd be surprised... how difficult it was to come up with this list. So here we go...

Top 5 Favorite Tree Moments

5. Harry Potter and the Chamber of Secrets

The Whomping Willow is the primary tree of note in the Harry Potter films. It gets its most important moment in Prisoner of Azkaban (though the movie doesn't make note of why it was put there to begin with). However, I like the mystery and action of the scene near the beginning of Chamber of Secrets better. Ron squealing and breaking his wand. The branches crashing through the poor Ford Anglia. And just general chaos and disarray. Check out the scene below:




4. Clerks 2

OK, I'll give... this one is kind of a cheat. But I didn't want to put the Ents from Lord of the Rings. Instead, I felt like putting one of my many favorite scenes from Clerks 2, which is about the aforementioned trilogy. And to top off this conversation about Lord of the Rings, Randal gives a great line: "Even the fucking trees walk in those movies." Check the scene below:




3. Pan's Labyrinth

This is probably the only movie James might agree with. I'm talking, of course, of the scene where Ofelia climbs inside the dying tree in her new dress to face the giant toad. The whole movie is beautiful in more ways than one. And the three tasks are definitely the most memorable parts. So there's really no question why this one would end up on the list. Unfortunately, I couldn't find video footage of it... sorry.

2. The Evil Dead

A tree rapes a woman. Let me repeat that. A tree. Rapes. A woman. What more can I say? I couldn't find the original footage for the scene, but here's a very poor quality version where somebody added their own music for comic affect:




1. The Happening

No, not the whole movie. Sure, it's about killer trees and/or wind. But there's one particular part of this movie that I love. I loved the scene in theater, and it's the scene that has always stuck with me since. This scene makes me wonder if M. Night was just screwing with all our heads and meant it to be some kind of bizarre dark comedy the whole time. The scene, of course, is Mark Wahlberg talking to the plastic tree:

8.19.2010

5 Possible Musicals Based On Non-Musical Films.

Lord of the Rings. Spider-Man. The Evil Dead. Harry Potter (kind of). What do these movies have in common? Well, OK, they're a bit on the fantasy/unrealistic side. But that's not what I'm getting at. No. these movies have all been transformed, in one way or another, into a stage musical (Harry Potter not being official, but still damn good). And the upcoming Spider-Man musical is going the rock route with U2 taking the helm as composer. So I wondered what other films could be made into stage musicals that probably shouldn't be.


Movie: 28 Days Later...
Composers: Coheed and Cambria
Possible Songs: "Blood Red Eyes," "Wake Up To Nothing," and "No World For The Rageless."

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Movie: Apocalypse Now
Composers: Korn, Disturbed
Possible Songs: "I'm Hiding In My Heart Of Darkness," "Napalm Gets Me Off," and "Up the River, Down With The Sickness."

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Movie: Citizen Kane
Composers: My Chemical Romance
Possible Songs: "His Famous Last Word," "He's Dead!" and "I Don't Love You Anymore."

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Movie: Inception
Composers: Aerosmith
Possible Songs: "Dream On... And On... And On," "Dude (Can Look Like You)," and "Standin' On The Edge."

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Movie: Let The Right One In
Composers: Queen
Possible Songs: "Let Me In," "Keep Yourself Alive With Blood," and "My Best Friend Is A Vampire."

7.24.2010

2 In 1: A Very Potter Musical And A Very Potter Sequel.

A little over a year ago, a college-based production company called Team Starkid produced what is now a well-known stage play called A Very Potter Musical, a musical production of Harry Potter. It was performed in front of a live audience and recorded and put online. And it became an instant hit. Now, as of yesterday, there is another. Team Starkid has produced, recorded, and placed online A Very Potter Sequel, which is pretty much what it sounds like. Now that I've just finished watching this sequel (though it's actually more like a prequel), I've decided to comment on both.


A Very Potter Musical.

The story takes elements from Sorcerer's Stone, Chamber of Secrets, Goblet of Fire, Half-Blood Prince, and Deathly Hallows and mixes them together in extreme comedic fashion. The basic story is that it's Harry's second year at Hogwarts, and Professor Quirrel, sharing a body with Voldemort, has plans on using Harry to come back to power using the Tri-Wizard Tournament. Harry tries to win over Cho Chang (who herself is with Cedric Diggory) while completely ignoring Ginny, who obviously has a crush on him. Meanwhile, Ron starts realizing his feelings for Hermione, but he's not alone. No... Draco Malfoy also realizes his affections for the frumpy Hermione.

There's a whole lot more to it, of course. The whole show is about three and a half hours long, and it incorporates pretty much 5 of the 7 books (with its own mix, obviously). Its biggest focus is on Sorcerer's Stone (with Quirrelmort) and Goblet of Fire. Though in the latter half of the play, it does switch gears to the last couple books (but not so much Deathly Hallows, from what I can remember... it's been a while). These guys were quite ingenious in how they were able to get all the stories mixed down into one show.

They also found the right tone. There's no way a Harry Potter Musical could take itself seriously. So, knowing this, Team Starkid totally made it a self-conscious comedy. The comedy is basically total irony. It takes everything the audience would expect (either due to knowing the books/stories/characters or how the scene has set itself up) and turning it on its head. It takes expectations and uses them to a great advantage. And then, of course, a slew of running jokes (usually involving Draco). They also have fun with the actors. For instance, Draco is played by a female (to great effect).

Now, you can't discuss a musical without getting into the music. There's a good side and a bad side to this. The good is that the music for this is excellent. Like any musical, there are the fun, catchy tunes. But there are also the more dramatic, heart-felt ones. And the fun ones truly are hilarious. Not all of them are favorites, granted. But that's how it goes with any musical. You usually won't like every song. Hell, I don't like every single song in Little Shop of Horrors (which, for my astute readers will know, is pretty much my favorite). But almost everybody has a great voice. The best voices go to Harry and Ginny (Ginny probably has the best voice of the lot). And despite Cedric only having one line to sing at the beginning, he has a great one, too. There are a couple rough notes here and there, though. The toughest to listen to are Voldemort's, but that's mostly because the actor has to keep a raspy voice while singing.

Unfortunately, the biggest downfall to this production is its audio, which is a shame. Because it was performed live for an audience and was recorded during such, oftentimes the audience's laughter is louder than those on stage. And sometimes the music is louder than the singers, as well. So there are a lot of times, whether the characters are speaking or singing, you have no idea what they're saying (or have to listen very closely in order to hear it). However, the soundtrack is available to download for free, so you can get the songs that way with no laughter or music louder than the singing.

Overall, if you're a fan of Harry Potter, this is a 3.5 hour of hilarity. If you have the time and have not seen it, I strongly recommend it. You can find it on YouTube.

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A Keanu 'Whoa'




A Very Potter Sequel.

The sequel sees the return of all the cast members (and maybe one or two new ones). The story mixes elements from Sorcerer's Stone, Prisoner of Azkaban, and Order of the Phoenix. It picks up right after the first story ends. Despite there being apparently nowhere to go story-wise from there, Lucius Malfoy has a plan. He figures that if he can kill Potter before his second year, everything will be better. So with the help of Death Eater Yaxley, Lucius gets his hands on a Time Turner and goes back in time to Harry's first year to try and destroy him. In Harry's first year, he makes friends with Ron and, eventually, Hermione. However, Sirius Black has escaped from Azkaban and is apparently after Harry. Because of this, Hogwarts must set up extra security, so the Ministry sends them Delores Umbridge to be Head of Security. Unfortunately, she's one evil lady, so Harry turns to the help of the new Defense Against the Dark Arts teacher, Remus Lupin, who is being adamantly pursued by Snape, still holding a grudge against him from long ago. This also introduces other characters, such as Arthur Weasley, Dean Thomas, Seamus Finnegan, Hedwig, and Firenze (as well as very brief appearances by Luna Lovegood and the other Weasley siblings).

Again, there is a lot more going on than just that, as this is also about 3 and a half hours long. But unlike the previous play, this sequel/prequel (depending on how you look at it) is more linear, I suppose. Because it only incorporates elements from 3 books (and really not all that much from Sorcerer's Stone except for it being Harry's first year, as well as the Mirror of Erised and the origin of the invisibility cloak), it seems more contained. The first one, while great and hilarious, had a ton of stuff going on in trying to incorporate stuff from nearly the entire series. This one is pretty much what would happen if you dropped Umbridge into the Prisoner of Azkaban storyline and set it in Harry's first year without Quirrel.

My biggest complaint from the first one was the fact that you couldn't understand half of what was going on. Thankfully, that's no the case this time. There are a couple times near the end where the music is louder than the singing. But for the most part, they seemed to learn from the first time. So that was excellent.

The humor this time is also a lot different than the first time around (though there is some of the same here and there). This one is a little more adult, which is funny considering the characters are supposed to be a year younger. There's a lot of cussing and even some sex jokes. It isn't crude, though, or over-the-top. Some of the jokes deal with giving an origin to some things from the first play (Ron's headband, a couple lines, etc.). The best parts, however, have to be Lucius, Lupin, Umbridge, and Goyle/Firenze. Taking a note from the actress playing Draco, the actor who plays Lucius is insanely over-the-top ridiculous in his movements. Lupin is the source of most of the cussing, and despite his humor being pretty much the same types of jokes over and over, it never gets old. And then there's Umbridge... played by the guy (yes, guy) who portrayed Voldemort in the first play. And he's one muscular guy... and he plays her like a bi-polar sadist with some childhood abuse issues and even some slight retardation. What's great about Umbridge is that right when a scene seems to be getting to the point where you think it's dragging on a bit much, Umbridge does something new and hilarious. Now, the guy who played Goyle in the first one is back, and he's given even more to do this time around. He plays Goyle to hilarity, but he truly shines when he portrays the Centaur Firenze, which--outside of Lupin's scenes--are probably the funniest parts of the entire play. This play also has Rita Skeeter (played by the girl who played Ginny in the first one), but she's not in it all that much, and none of her scenes are particularly memorable.

Now, the music is also different than the first time around. The music from the first play was heavier on the catchier tunes. This one is heavier on the ballads. I think while the songs in the first play are much funnier, I liked more of the songs in this one, which is intriguing to me (as I'm usually more of a fan of the catchy tunes). I'm anxiously awaiting the release of the soundtrack so I can get to know the songs better and tell for sure.

Overall, while I adore the first one, I think this sequel is even better. Though I said the songs in the first one are generally funnier, the whole of the sequel is funnier than the first. Most of the time, I couldn't stop laughing... and if it wasn't 3.5 hours long (and it didn't take me on-and-off all day to watch the whole thing, as I had to mix it in with getting some other things done), I would turn right back around and watch it again right now. However, I would strongly suggest watching the original first if you haven't (and shame on you if you haven't), as there are quite a few references to it in this one (more jokes will make sense, in other words). So yeah... what are you waiting for? Get to watching! Like the other, you can catch it on YouTube.

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Royale With Cheese

(P.S. There is a great moment of improv where something goes wrong, and the guy playing Ron comes up with a great line to get around it.)

7.11.2010

Podcast: The Demented Encyclopedia #15 - The One Where Travis Has A Sex Change (Or Not).

I know we've said it many times before, but this is actually a very special episode. For the first time, Travis is absent from the podcast; and, for the first time, we have a returning guest--Rachel from Rachel's Reel Reviews.

In this fun little episode, Rachel and I discuss the Twilight "Saga" (books and movies), going character by character. But first, Rachel plugs her own podcast, Reel Insight, which she co-hosts with Jess from Insight into Entertainment (Personal Note: It's a great podcast. Definitely check it out... after this one, of course).

After the main discussion and a bit of D-Bag, Rachel and I lie through our teeth to give you a compelling Film vs. Film where we battle two of the best Harry Potter films (for our actual thoughts, stay tuned after the closing theme).

And then we wrap things up with our Mono-Dialogues of the Week (and in my case, we do mean "mono"(tone)).


Thanks goes out to Kevin MacLeod's Imcompetech Website for the music. As always, you can use the player above to listen to the podcast, or you can search iTunes, where we are also available for download. The earlier episodes are being removed from the player for space, but you can still always download them on iTunes. Also, please become a Fan on Facebook... then you can give us your input for the podcast and will probably end up on the show during the D-Bag segment, as well as vote for which film in Film vs. Film won for the week. But as for now... enjoy!

12.25.2009

R2D2's Ultimate Top 10 Countdown Of The 2000s #4 - Sci-Fi/Fantasy.

[For the last 10 days of the decade, I'm doing a Top 10 list a day, all culminating into an ultimate post of Top 10 lists. We have previously seen Top 10 Comedies, Dramas, and Animation. Now we're moving on.]


Top 10 Sci-Fi/Fantasy Films of the 2000s

Nothing says Christmas like aliens, dystopian futures, wizards, and elves. I'm not saying Sci-Fi and Fantasy are the same thing. I just didn't have enough of either/or to make two separate lists. So why not put them together? Most people do that anyway. But I have to say, this was one of the toughest to put into a list format. But let's get to it.

10. The Lord of the Rings Trilogy (2001 - 2003)

To not include this on the 'fantasy' list would be near blasphemous. There's really not much to say about these films. Between the visuals, the characters, the story, the Oscar wins... it's the definition of epic. I tried watching all 3 extended editions back-to-back once. I got through the first two and gave up... but I plan on attempting it sometime again in the future. Who would have thought three movies "about people walking... even the trees walk in these movies" (as Clerks II puts it) would be so entertaining?


9. Equilibrium (2002)

It's essentially 1984 and Farenheit 451 rolled together and dipped into an action movie. And it's really all about the action. Kurt Wimmer has a fantastic, action-packed imagination. The action is even arguably up there with The Matrix, but without the slo-mo. And then there's Christian Bale... back before people started obsessing over him (and before every one of his movies had a "Batman" voice).


8. Pandorum (2009)

One of my favorite films of the year, Pandorum gave us a classic space Sci-Fi film that we hadn't had in a while. It's also the third film on my list (and not my last) thus far with Ben Foster in it. Similar (but better than, in my opinion) the film Event Horizon, at least in feel/tone, Pandorum has a couple guys wake up from cryo-sleep completely disoriented and with some memory loss. They also seem to be two of the only guys left. They had been on a journey to a new planet when something happened... and that something quickly starts coming around the corner to kill them. It wasn't without its flaws, but it was still pretty dang good.


7. Avatar (2009)

The primary reason this made the list was its outstanding visuals. Yes, the story is nothing to shout over. But the visuals are. And the imagination of the film, ironically taking place on the planet "Pandora," is astounding. From the flora and fauna to the whole mythos of the film, it was just imaginative and fantastic.


6. Star Trek (2009)

J.J. Abrams' re-envisioning of the series was a risk, but it worked out. With enough to please the past fans, but keeping it fresh enough not to alienate newcomers, Star Trek found a middle ground that appeased everybody. It was funny and dramatic, and the special effects were fantastic. And it had Simon Pegg. It quickly found itself in my top sci-fi list of all time from the day I saw it.


5. Minority Report (2002)

Maybe I'm just crazy, but I could have sworn this got only so-so reviews when it came out, but then later started being loved (or maybe I just read the wrong bunch of reviews). But I always loved this movie. I loved the concept, the visuals... everything. But I'm a fan of Philip K. Dick films, as they're always entertaining. And this one in particular was helmed by Stephen Spielberg, so that makes it twice as good. I remember it really stood out to me, as it was one of the first films I'd seen that had a specific color tint throughout (silvery-blue). But anyway, it's a pretty good sci-fi thriller, which is why it made my list.


4. Pitch Black (2000)

Remember when I said Titan A.E. was one of the earliest films on my list? Well, this one beats it, originally released in February of 2000. This is the film that introduced one of my favorite film characters, Richard B. Riddick. It's also one of my favorite Vin Diesel films... and probably his best film to date. Its follow up, Chronicles of Riddick, was a bit of a let down, as it completely changed the tone and scope... but since a third film has been announced (and not only that, but announced as going back to a tone and scope of Pitch Black), I'm pretty excited once again. Thankfully, the sequel wasn't able to destroy my love for this film. A great sci-fi/horror film.


3. The Harry Potter Series, 1-6 (2001-2009)

There are still a couple movies to go (as the final book is being split into two films), but the bulk of the series has finished, and it's quite an achievement. Of course, there have been some downfalls (the third and fourth film, in my opinion). But even the worst movies of the series have outstanding moments (the visuals and overall tone of the third, and the graveyard scene of the fourth). For the most part, the series has been faithful to the books, either nearly page-for-page (the first two) or in spirit (the 5th and 6th). It has every top British actor, and because of that, some of the greatest casting for any film ever. Overall, it's a fantastic series, and the final films are promising to blow the rest of the series out of the water.


2. MirrorMask (2005)

For those of you who know me, not only excluding Harry Potter from the fantasy top spot, but putting over it a relatively unknown film is so preposterous that you'd have to see it to believe it. In other words, that says a lot about this particular film. If ever there was a film that was to delve into the realm of imagination and show it for its pure absurdity and craziness, it's this one. MirrorMask comes from the mind of Neil Gaiman and is about a young girl fed up with her life working in a family circus. But then her mother gets really sick and ends up in the hospital. Similar to the girl in Pan's Labyrinth, she takes refuge in her imagination, and you can never quite figure out whether the events of the movie are real or not. It's pretty much left up to you. But she ends up in a world different than her own, one with an evil queen and fantastic creatures, all drawn in her own style... very similar to the drawings she has all over her walls.

In fact, I find this movie so imaginative that whenever I have writer's block for my fiction, I pop in this movie, and it almost always helps. It's funny, quirky, insanely creative, and an all-around bizarre time. I wasn't sure whether or not I liked it the first time I saw it, but come that second time, I adored it. Fun note, the girl who plays the main character in this movie is sisters with the girl who played Katie Bell in the 6th Harry Potter film (always fun to tie films back to HP).


1. V For Vendetta (2005)

A holiday movie if there ever was one... just not for Christmas. It brought people everywhere to celebrate Guy Fawkes day AKA The Fifth of November. Produced by the Wachowskis (The Matrix) and directed by James McTeigue (also known for the recent Ninja Assassin), V For Vendetta is brutal, honest, metaphorical, heartbreaking, mysterious, thrilling... and probably a hundred other adjectives. I think, overall, the best adjectives would be "beautiful" and "powerful." And who doesn't wanna pop this guy in come November 5th?

End Note: For those curious, Sunshine barely missed my list. While I really like the movie, that last third still irks me too much for me to put it on the list. But it probably would have made #11 had there been more.