Showing posts with label max von sydow. Show all posts
Showing posts with label max von sydow. Show all posts

11.02.2011

60/60 Review #52: The Seventh Seal.

So... you have a character that has visions, a character that prolongs his life by attempting to beat death, Death himself following them around taking lives in his wake, some dark humor, and (spoilers!) an ending where those he affects by his extended life end up with his same fate. Dude... The Seventh Seal was the original Final Destination!

Seriously, though... the movie follows Antonius Block (Max von Sydow), a knight of the Crusades, who was supposed to die but instead challenges Death (Bengt Ekerot) to a game of chess. If he wins, he gets a reprieve, but he does get to an extension as long as the game goes on. He continues traveling with his squire Jons (Gunnar Bjornstrand), and eventually meet up with a man-and-wife actors troupe, Jof (Nils Poppe) and Mia (Bibi Andersson). Together, everybody ponders the meaning of life, the universe, and everything. Oh, and Jof occasionally has visions of things that nobody believes he actually has.

I've known about this film since I was a kid, mostly for the chess playing bit (in part thanks to Bill and Ted's Bogus Journey). It's too bad, however, that in the 90 or so minutes of this film, that only takes up roughly 5 minutes throughout the overall film. The majority of the movie follows the characters speaking about life and death and more life and more death and the mysteries therein. In other words, the movie is nothing but philosophy. Some might find that interesting. Others might find it painfully dull. Me? I land somewhere in the middle, landing closer to the side of interesting. But I can't deny that after an hour of what feels like the same conversation, one tends to drift off.

It actually works mostly for 2 reasons: the writing and the acting. The writing is pretty damn fantastic and quite poetic in nature. Like I said, the entire thing is rather philosophical, and the way the characters speak to each other is quite beautiful. But if the acting wasn't there to believably deliver those words, it wouldn't have worked. But it does.

And the most surprising aspect of the film was the fact it had attempts at humor. Of course, none of it made me laugh out loud, but I did find parts amusing. Jof, in particular, was a fun character. And Jons the squire had a few good lines (like having written a song about a randy fish).

For the film itself, the writing, acting, and cinematography were excellent. The overall direction and production of it was great. But I think, though, that I liked the idea of the film more than the film itself. I liked what it represented and what it discussed. But the final product was a bit too dry for me.


I Am McLovin!

2.20.2010

SHUTTER ISLAND.

I've been pretty hyped for this movie for a while, mostly from a mystery/thriller standpoint more than a Scorsese standpoint (I'm by no means a Scorsese aficionado or anything). Now I'm just wondering if I went in with my expectations a bit too high. Shutter Island tells the story of U.S. Marshall Teddy Daniels (Leonardo DiCaprio) and his newly appointed partner, Chuck (Mark Ruffalo). They are sent to Shutter Island because it houses an asylum for the criminally insane, and one of its patience has just escaped. But everything isn't what it seems. The doctors, nurses, and orderlies, and security--including Dr. Cawley (Ben Kingsley), Dr. Naehring (Max Von Sydow), and Deputy Warden McPherson (John Carroll Lynch)--seem to be in on some kind of conspiracy, and it's up to Teddy to figure out what it is, to "blow the lid off this thing." The movie also stars the likes of Michelle Williams, Emily Mortimer, Patricia Clarkson, Jackie Earle Haley, Ted Levine, and Elias Koteas.

Even after I was already interested in the movie, I was told it had this epic twist to end all twists--one of the best twists in modern literature (since it's based on a book). Well, I wonder if the book is any different, because I was able to figure out the basic twist within the first 3 minutes of the movie. But just the basic part of it. All the other details, I was never able to figure out until they were revealed at the end. Interestingly enough, whenever there were clues to the ending, it felt like a giant flashing sign saying "look at me, I'm a clue!" But while I was easily able to discern the clues that would inevitably add up to the twist, I wasn't able to put them together and make sense of it before it was revealed. Of course, it all made sense afterward, but still. Oh, and they never explain the "rule of 4" thing, unless I just missed it. Because they find this letter that mentions the 'rule of 4' and 'who is 67'? They explain the latter, but never the former...

The acting, for the most part, was good. But there were times when I was like "OK, Leo, right now I'm just seeing Leo trying to play a cop." They weren't frequent, but they were there. And I worried about the movie at the beginning, wondering what I was getting myself into for 2+ hours, as it really wasn't very gripping, and it seemed to be exposition central.

But the movie does pick up after a while. What helps the movie the most are its visuals. Scorsese does good things to set the mood--the rain, the smoke, the shadows--and he runs with it. There's good cinematography here to really help with the atmosphere, not to mention some really great shots in general.

I also noticed, primarily towards the end, how much symbolism there was in the movie. There were a lot of fire and water motifs, as well as smoke. And the storm/rain acted as a great symbol to the chaos of the situation, as well as to the self-destruction of mankind.

I really don't know what else to say. It was really good, but not "OMG I need new pants" great. Maybe I had hyped myself up too much for it or something. I might not buy it when it comes out on DVD/Blu-Ray, but I'd definitely watch it again if I saw it on TV. Because, while it was good and the mystery engaging, I can't see myself sitting down wanting to watch it over and over again. Definitely see it in the theater, though. Just hope you don't get an audience like mine where a woman laughed at all the parts that were supposed to be disturbing and/or unsettling (or, with... like... the one jump-scare in the movie, calls out to the entire theater 'Oh, that scared me!'). So... yeah.

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A Keanu 'Whoa'

(P.S. Though I have to admit, the last line in the movie is excellent.)

4.25.2009

Short Review: The Diving Bell And The Butterfly.

Premise: After a man has a terrible stroke, he becomes fully paralyzed, except for his eyes (one of which is immediately sewn shut). So after a bout of self-pity, he decides to do something productive and write a book using a method of blinking while a scribe goes through the alphabet (in order of most commonly used letters).

Starring: Mathieu Amalric, Emmanuelle Seigner, Marie-Josee Croze, Anne Cosigny, Max von Sydow, and Isaach De Bankole.

My Reaction: Not much to say. I've wanted to see it since it first came out, and I've even had it on my Netflix for months, though I kept pushing it back in favor of other things. But this movie is beautiful... in every way. Though I kept thinking that the main guy looked like what would happen if you merged John Francis Daley with Robert Downey Jr. My only real negative comment is that all the women confused me. They all looked similar, and you didn't often hear their names put to their faces... so I was never sure who was who. But that's only a small issue in the scope of the film. Absolutely brilliant and beautiful.

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Royale With Cheese